1 00:00:02,200 --> 00:00:03,920 [♪♪♪] 2 00:00:03,920 --> 00:00:06,160 [HICKMAN]: 3 00:00:03,920 --> 00:00:06,160 LIKE ALL GOOD STORIES, 4 00:00:06,160 --> 00:00:09,000 THIS ONE STARTS 5 00:00:06,160 --> 00:00:09,000 WITH A BEAUTIFUL WOMAN... 6 00:00:09,000 --> 00:00:13,600 YOUNG, ADVENTUROUS, 7 00:00:09,000 --> 00:00:13,600 FULL OF LIFE. 8 00:00:16,520 --> 00:00:18,920 [♪♪♪] 9 00:00:38,160 --> 00:00:40,440 [♪♪♪] 10 00:00:43,040 --> 00:00:45,440 [PANICKED, RAGGED BREATHING] 11 00:00:45,440 --> 00:00:47,600 [WHIMPERING] 12 00:00:52,240 --> 00:00:53,160 [GRUNTS AND GASPS] 13 00:00:53,160 --> 00:00:55,880 AH! 14 00:00:55,880 --> 00:00:58,040 [BEGINS SOBBING] 15 00:00:59,760 --> 00:01:03,080 PLEASE DON'T HURT ME ANYMORE! 16 00:01:08,640 --> 00:01:09,600 [MUD SPLASHES] 17 00:01:09,600 --> 00:01:11,120 [GASPS SOFTLY] 18 00:01:11,120 --> 00:01:12,840 [TWIG SNAPS] 19 00:01:12,840 --> 00:01:16,040 [SCREAMS]: HELP ME! 20 00:01:18,000 --> 00:01:21,160 [SOBBING] 21 00:01:22,320 --> 00:01:23,840 [DAGGER SCRAPES SHEATH] 22 00:01:24,760 --> 00:01:26,560 [♪♪♪] 23 00:01:28,080 --> 00:01:30,160 [SHE SHRIEKS] 24 00:01:30,160 --> 00:01:32,840 [♪♪♪] 25 00:01:44,480 --> 00:01:47,480 [♪♪♪] 26 00:01:52,240 --> 00:01:54,920 [HICKMAN]: UNFORTUNATELY, 27 00:01:52,240 --> 00:01:54,920 THIS STORY ALSO STARTS 28 00:01:54,920 --> 00:01:59,320 WITH THE END OF THAT LIFE, 29 00:01:54,920 --> 00:01:59,320 WITH HER MURDER. 30 00:02:02,360 --> 00:02:04,880 [♪♪♪] 31 00:02:18,000 --> 00:02:21,040 [♪♪♪] 32 00:02:22,880 --> 00:02:26,600 -MORNING, SIR. 33 00:02:22,880 --> 00:02:26,600 -GOOD MORNING. 34 00:02:26,600 --> 00:02:27,760 MORNING, MAJOR. 35 00:02:27,760 --> 00:02:30,320 GOOD MORNING. 36 00:02:30,320 --> 00:02:32,600 WHAT ARE YOU DOING HERE, LOUIS? 37 00:02:32,600 --> 00:02:34,320 IT'S MAJOR DANIEL, 38 00:02:34,320 --> 00:02:35,840 AND I'M HERE BECAUSE 39 00:02:35,840 --> 00:02:38,040 I AM A MEMBER OF 40 00:02:35,840 --> 00:02:38,040 THE NATIONAL POLICE. 41 00:02:38,040 --> 00:02:39,360 DID YOU SEND HER? 42 00:02:39,360 --> 00:02:40,360 NO. 43 00:02:40,360 --> 00:02:41,800 BUT SHE'S WITH ME. 44 00:02:41,800 --> 00:02:44,560 YOU ARE NO LONGER 45 00:02:41,800 --> 00:02:44,560 IN THE 36, MAJOR. 46 00:02:44,560 --> 00:02:46,480 I'M IN CHARGE NOW. 47 00:02:46,480 --> 00:02:48,920 WHEN I WAS IN CHARGE, 48 00:02:48,920 --> 00:02:52,040 I DIDN'T FEEL THE NEED 49 00:02:48,920 --> 00:02:52,040 TO TELL EVERYONE. 50 00:02:56,280 --> 00:02:57,520 MAJOR DANIEL. 51 00:02:57,520 --> 00:02:59,440 CALL ME LOUIS, 52 00:02:57,520 --> 00:02:59,440 ANNE-MARIE, PLEASE. 53 00:03:01,240 --> 00:03:03,040 SHE'S BAD, SIR. 54 00:03:03,040 --> 00:03:04,920 DO WE KNOW 55 00:03:03,040 --> 00:03:04,920 WHO SHE IS? 56 00:03:04,920 --> 00:03:07,040 THERE'S NOTHING. 57 00:03:04,920 --> 00:03:07,040 AGAIN. 58 00:03:10,920 --> 00:03:13,440 [♪♪♪] 59 00:03:17,120 --> 00:03:18,320 YOU WERE RIGHT. 60 00:03:18,320 --> 00:03:21,040 THIS WAS 61 00:03:18,320 --> 00:03:21,040 THE SAME KILLER. 62 00:03:21,040 --> 00:03:23,480 [♪♪♪] 63 00:03:30,720 --> 00:03:32,800 [CLATTERING] 64 00:03:39,600 --> 00:03:40,960 AH! 65 00:03:42,640 --> 00:03:45,480 [ROARS AND CRIES OUT] 66 00:03:47,920 --> 00:03:50,360 [♪♪♪] 67 00:03:53,000 --> 00:03:54,280 [GRUNTS] 68 00:04:01,040 --> 00:04:03,120 [HICKMAN]: I WAS NOT 69 00:04:01,040 --> 00:04:03,120 IN A GOOD WAY. 70 00:04:03,120 --> 00:04:07,480 TRUTH IS, THERE WERE DAYS 71 00:04:03,120 --> 00:04:07,480 I THOUGHT ABOUT JUST GIVING UP. 72 00:04:07,480 --> 00:04:10,080 THE ONLY THING KEEPING ME ALIVE 73 00:04:07,480 --> 00:04:10,080 WAS ANGER... 74 00:04:10,080 --> 00:04:11,480 AND MORPHINE. 75 00:04:11,480 --> 00:04:13,400 [GURNEY RATTLING] 76 00:04:14,440 --> 00:04:15,920 COMMISSAIRE LAVEAUX. 77 00:04:15,920 --> 00:04:17,120 I NEED YOU TO KEEP 78 00:04:15,920 --> 00:04:17,120 THE SCENE SEALED 79 00:04:17,120 --> 00:04:18,280 FOR A COUPLE OF DAYS. 80 00:04:18,280 --> 00:04:20,840 HOW IN HELL IS THIS 81 00:04:18,280 --> 00:04:20,840 A EUROPOL CASE? 82 00:04:20,840 --> 00:04:23,000 OH, IT'S NOT. 83 00:04:23,000 --> 00:04:24,160 THEN YOU HAVE 84 00:04:23,000 --> 00:04:24,160 NO AUTHORITY 85 00:04:24,160 --> 00:04:25,320 TO SEAL THE SCENE. 86 00:04:25,320 --> 00:04:27,120 I'M NOT ORDERING YOU. 87 00:04:27,120 --> 00:04:28,400 I'M ASKING YOU, 88 00:04:28,400 --> 00:04:30,400 BECAUSE THIS MAY NOT 89 00:04:28,400 --> 00:04:30,400 BE THE FIRST VICTIM. 90 00:04:30,400 --> 00:04:33,160 I'VE HAD NO NOTIFICATION 91 00:04:30,400 --> 00:04:33,160 OF ANY OTHER MURDER. 92 00:04:33,160 --> 00:04:35,160 THAT'S BECAUSE SHE'S 93 00:04:33,160 --> 00:04:35,160 THE FIRST FRENCH VICTIM. 94 00:04:35,160 --> 00:04:38,080 A SERIAL KILLER 95 00:04:35,160 --> 00:04:38,080 IS IN FRANCE, 96 00:04:38,080 --> 00:04:39,760 AND YOU HAVE A CHANCE 97 00:04:38,080 --> 00:04:39,760 TO CATCH HIM. 98 00:04:39,760 --> 00:04:41,080 ME? 99 00:04:41,080 --> 00:04:43,320 I NEED A FEW DAYS, 100 00:04:41,080 --> 00:04:43,320 AND, AT THE RIGHT MOMENT, 101 00:04:43,320 --> 00:04:45,040 I WILL TURN EVERYTHING 102 00:04:45,040 --> 00:04:46,040 OVER TO YOU. 103 00:04:46,040 --> 00:04:47,560 YOU'LL TAKE NO CREDIT? 104 00:04:47,560 --> 00:04:48,880 NO. 105 00:04:48,880 --> 00:04:51,480 TWO DAYS. 106 00:04:51,480 --> 00:04:53,760 AND I WANT TO BE 107 00:04:51,480 --> 00:04:53,760 KEPT INFORMED 108 00:04:53,760 --> 00:04:55,120 OF ANY PROGRESS. 109 00:04:55,120 --> 00:04:56,600 THANK YOU. 110 00:04:58,000 --> 00:05:00,240 THE SCENE 111 00:04:58,000 --> 00:05:00,240 WILL BE KEPT CLOSED. 112 00:05:00,240 --> 00:05:01,280 WHERE ARE YOU GOING? 113 00:05:01,280 --> 00:05:03,600 AMSTERDAM. 114 00:05:08,160 --> 00:05:12,080 [HICKMAN]: I HAD NO IDEA 115 00:05:08,160 --> 00:05:12,080 HOW MUCH THAT POOR YOUNG 116 00:05:08,160 --> 00:05:12,080 GIRL, 117 00:05:12,080 --> 00:05:15,520 DEAD IN A PARK 118 00:05:12,080 --> 00:05:15,520 IN THE MIDDLE OF PARIS, 119 00:05:15,520 --> 00:05:17,480 WAS ABOUT TO CHANGE MY LIFE. 120 00:05:20,440 --> 00:05:23,840 [PARK PATRONS CHEERING 121 00:05:20,440 --> 00:05:23,840 AND YELLING] 122 00:05:51,800 --> 00:05:53,440 [MAN]: WHAT THE HELL 123 00:05:51,800 --> 00:05:53,440 DO YOU MEAN, "NO"? 124 00:05:53,440 --> 00:05:54,520 [WIFE]: IT'S OKAY, 125 00:05:53,440 --> 00:05:54,520 DARLING. WE CAN-- 126 00:05:54,520 --> 00:05:55,840 [HUSBAND]: GUESS 127 00:05:54,520 --> 00:05:55,840 MY WIFE'S WEIGHT! 128 00:05:55,840 --> 00:05:57,480 I DON'T DO THAT. 129 00:05:57,480 --> 00:05:58,760 I PAID MY MONEY! 130 00:05:58,760 --> 00:06:00,040 [PSYCHIC]: I READ CARDS. 131 00:06:00,040 --> 00:06:02,040 I CAN TELL YOU SOME THINGS 132 00:06:00,040 --> 00:06:02,040 ABOUT YOURSELF 133 00:06:02,040 --> 00:06:03,600 AND MAYBE GIVE YOU 134 00:06:02,040 --> 00:06:03,600 SOME INSIGHT INTO-- 135 00:06:03,600 --> 00:06:04,560 I PAID MY MONEY. 136 00:06:04,560 --> 00:06:06,720 NOW GUESS 137 00:06:04,560 --> 00:06:06,720 HER GODDAMNED WEIGHT! 138 00:06:06,720 --> 00:06:08,680 HEY, WHY DON'T YOU 139 00:06:06,720 --> 00:06:08,680 JUST LEAVE HER ALONE, PAL? 140 00:06:10,000 --> 00:06:12,920 WHY DON'T YOU MIND 141 00:06:10,000 --> 00:06:12,920 YOUR OWN BUSINESS? 142 00:06:14,120 --> 00:06:16,160 HEY, YOU GOT A PROBLEM? 143 00:06:18,040 --> 00:06:19,520 GO TO HELL. 144 00:06:21,120 --> 00:06:22,440 YOU WANT TO KNOW 145 00:06:21,120 --> 00:06:22,440 SOMETHING ABOUT YOURSELF? 146 00:06:22,440 --> 00:06:25,000 I'LL TELL YOU 147 00:06:22,440 --> 00:06:25,000 SOMETHING ABOUT YOURSELF. 148 00:06:25,000 --> 00:06:26,360 YOU GOT SOFT HANDS 149 00:06:25,000 --> 00:06:26,360 AND NO MUSCLE TONE, 150 00:06:26,360 --> 00:06:28,320 WHICH MARK YOU FOR WHITE-COLLAR, 151 00:06:28,320 --> 00:06:30,040 BUT YOUR EYES 152 00:06:28,320 --> 00:06:30,040 HAVE NO SPARK OF INTELLIGENCE, 153 00:06:30,040 --> 00:06:33,360 AND YOU OBVIOUSLY CAN'T DECIPHER 154 00:06:30,040 --> 00:06:33,360 A SIMPLE SIGN, SO GUESS WHAT? 155 00:06:33,360 --> 00:06:35,280 YOU'RE NOT MANAGEMENT. 156 00:06:35,280 --> 00:06:37,640 MY GUESS IS YOU'RE A DRONE. 157 00:06:35,280 --> 00:06:37,640 YOU'RE A WORKER-BEE. 158 00:06:37,640 --> 00:06:39,480 TOP BUTTONHOLE'S 159 00:06:37,640 --> 00:06:39,480 PULLED WIDE AND FRAYED. 160 00:06:39,480 --> 00:06:40,760 YOU'RE FATTER 161 00:06:39,480 --> 00:06:40,760 THAN YOU USED TO BE, 162 00:06:40,760 --> 00:06:42,040 AND YOU CAN'T AFFORD 163 00:06:40,760 --> 00:06:42,040 A NEW SHIRT. 164 00:06:42,040 --> 00:06:43,640 YOU'RE NOT EVEN 165 00:06:42,040 --> 00:06:43,640 A SUCCESSFUL WORKER-BEE. 166 00:06:43,640 --> 00:06:44,880 BUT MAYBE THERE'S ANOTHER REASON 167 00:06:44,880 --> 00:06:46,960 THAT YOU CAN'T AFFORD 168 00:06:44,880 --> 00:06:46,960 A NEW SHIRT. HUH? 169 00:06:48,520 --> 00:06:50,360 IT'S A GIRLFRIEND, YEAH? 170 00:06:50,360 --> 00:06:52,120 -HEY... 171 00:06:50,360 --> 00:06:52,120 -A MISTRESS? HUH? 172 00:06:52,120 --> 00:06:54,800 BUT NOT JUST ANY MISTRESS. 173 00:06:52,120 --> 00:06:54,800 OH, NO, NO, NO, NO, NO. 174 00:06:54,800 --> 00:06:56,560 A MISTRESS WITH A BABY. 175 00:06:56,560 --> 00:06:58,720 YOUR BABY. YOUR BABY! 176 00:06:58,720 --> 00:07:00,400 PERHAPS YOU KNOW HER, MADAM? 177 00:07:00,400 --> 00:07:01,920 SHE'S GOT LONG BLONDE HAIR? 178 00:07:01,920 --> 00:07:03,560 YOU! 179 00:07:03,560 --> 00:07:05,160 YOU SAID YOU WOULDN'T 180 00:07:03,560 --> 00:07:05,160 SEE HER ANYMORE! 181 00:07:05,160 --> 00:07:06,880 AND NOW THERE'S A BABY? 182 00:07:06,880 --> 00:07:08,800 NO, NO. BETTE! 183 00:07:06,880 --> 00:07:08,800 LET ME EXPLAIN THIS! 184 00:07:08,800 --> 00:07:10,080 I THINK IT'S A BOY. 185 00:07:10,080 --> 00:07:13,360 IN POUNDS, I'D SAY YOUR WIFE 186 00:07:10,080 --> 00:07:13,360 IS 140, 145? 187 00:07:13,360 --> 00:07:16,040 I'M NOT SURE WHAT THAT IS 188 00:07:13,360 --> 00:07:16,040 IN KILOS, BUT... 189 00:07:16,040 --> 00:07:17,880 YOU BASTARD! 190 00:07:19,800 --> 00:07:22,560 HE IS A BASTARD, 191 00:07:19,800 --> 00:07:22,560 BUT YOU ARE NOT HITTING HIM. 192 00:07:22,560 --> 00:07:24,880 YOUR WIFE IS GETTING AWAY. 193 00:07:24,880 --> 00:07:26,320 GO. 194 00:07:29,480 --> 00:07:31,320 YOU HAVEN'T LOST YOUR WAY 195 00:07:29,480 --> 00:07:31,320 WITH PEOPLE. 196 00:07:35,000 --> 00:07:37,320 IT'D BE A BETTER WORLD 197 00:07:35,000 --> 00:07:37,320 WITHOUT THEM IN IT. 198 00:07:37,320 --> 00:07:41,120 HOW COULD YOU POSSIBLY FIGURE 199 00:07:37,320 --> 00:07:41,120 THE MISTRESS AND THE BABY? 200 00:07:42,640 --> 00:07:46,200 WHY ARE YOU AT A CARNIVAL 201 00:07:42,640 --> 00:07:46,200 IN AMSTERDAM, LOUIS? 202 00:07:49,280 --> 00:07:52,920 THAT'S WHAT YOU'RE DOING 203 00:07:49,280 --> 00:07:52,920 WITH YOUR SKILLS, CARL? 204 00:07:52,920 --> 00:07:56,440 WHY ARE YOU HERE? 205 00:07:56,440 --> 00:07:58,840 YOU HAVE SOMEPLACE PRIVATE 206 00:07:56,440 --> 00:07:58,840 WE CAN TALK? 207 00:07:58,840 --> 00:08:00,040 YEAH. 208 00:08:03,080 --> 00:08:08,000 [RIDE MUSIC TINKLING] 209 00:08:08,000 --> 00:08:12,680 [♪♪♪] 210 00:08:12,680 --> 00:08:13,840 HOW MANY? 211 00:08:13,840 --> 00:08:15,280 FOUR. 212 00:08:15,280 --> 00:08:16,920 INCLUDING THE ONE IN PARIS. 213 00:08:18,040 --> 00:08:20,080 A LOT OF CUTTING. 214 00:08:20,080 --> 00:08:22,560 HE'S A BAD ONE. 215 00:08:24,040 --> 00:08:25,880 CARL, DO YOU 216 00:08:24,040 --> 00:08:25,880 MISS THE JOB? 217 00:08:28,080 --> 00:08:30,160 STILL HAVEN'T TOLD ME 218 00:08:28,080 --> 00:08:30,160 WHY YOU'RE HERE, LOUIS. 219 00:08:33,040 --> 00:08:36,280 IF YOU WANT TO 220 00:08:33,040 --> 00:08:36,280 FEEL LIKE A COP AGAIN, 221 00:08:36,280 --> 00:08:40,040 I HAVE A JOB FOR YOU. 222 00:08:43,320 --> 00:08:46,400 [♪♪♪] 223 00:08:54,040 --> 00:08:56,160 DOESN'T THE I.C.C. 224 00:08:56,160 --> 00:08:57,640 DO WAR CRIMES 225 00:08:56,160 --> 00:08:57,640 AND GENOCIDES? 226 00:08:57,640 --> 00:08:59,440 FOR NOW, WE ARE GOING TO 227 00:08:57,640 --> 00:08:59,440 TRY SOMETHING. 228 00:09:00,560 --> 00:09:02,040 "WE"? 229 00:09:02,040 --> 00:09:03,360 I CHOSE 230 00:09:03,360 --> 00:09:06,640 A TEAM OF COPS 231 00:09:03,360 --> 00:09:06,640 FROM ALL OVER THE EUROZONE. 232 00:09:06,640 --> 00:09:08,720 EACH HAS A SPECIAL SKILL. 233 00:09:06,640 --> 00:09:08,720 LIKE YOU. 234 00:09:08,720 --> 00:09:10,520 I'M NOT A COP ANYMORE. 235 00:09:10,520 --> 00:09:12,880 THEN I WON'T HAVE TO 236 00:09:10,520 --> 00:09:12,880 PAY YOU MUCH. 237 00:09:15,360 --> 00:09:17,920 WHERE ARE WE GOIN'? 238 00:09:17,920 --> 00:09:19,240 IF YOU'RE GONNA 239 00:09:17,920 --> 00:09:19,240 SHOOT ME, 240 00:09:19,240 --> 00:09:20,680 YOU COULD'VE DONE THAT 241 00:09:19,240 --> 00:09:20,680 IN AMSTERDAM. 242 00:09:20,680 --> 00:09:22,280 HELL, I'D HAVE 243 00:09:20,680 --> 00:09:22,280 LOADED THE GUN. 244 00:09:22,280 --> 00:09:23,480 NOT WITH YOUR HAND. 245 00:09:23,480 --> 00:09:26,040 GOOD POINT. 246 00:09:26,040 --> 00:09:27,400 CAN'T GRIP ANYTHING 247 00:09:26,040 --> 00:09:27,400 HEAVIER THAN MY JOINT 248 00:09:27,400 --> 00:09:28,680 WITHOUT SCREAMING. 249 00:09:28,680 --> 00:09:30,560 "JOINT"? 250 00:09:30,560 --> 00:09:32,520 YOU KNOW... JOHNSON. 251 00:09:32,520 --> 00:09:34,040 PECKER. 252 00:09:34,040 --> 00:09:35,320 JOINT. 253 00:09:35,320 --> 00:09:38,240 AH... "BRAQUEMARD." 254 00:09:38,240 --> 00:09:40,920 YOU FRENCH MAKE EVERYTHING 255 00:09:38,240 --> 00:09:40,920 SOUND LIKE A SAUCE. 256 00:09:40,920 --> 00:09:42,640 [LAUGHS] 257 00:09:42,640 --> 00:09:43,880 BUT YOU'RE STILL 258 00:09:42,640 --> 00:09:43,880 ABLE TO FUNCTION? 259 00:09:43,880 --> 00:09:46,800 DEPENDS ON 260 00:09:43,880 --> 00:09:46,800 YOUR DEFINITION OF FUNCTION. 261 00:09:46,800 --> 00:09:49,320 YOU'RE VERY LUCKY, 262 00:09:46,800 --> 00:09:49,320 YOU KNOW? 263 00:09:49,320 --> 00:09:51,160 LUCKY? 264 00:09:51,160 --> 00:09:53,640 THAT YOU WERE BORN 265 00:09:51,160 --> 00:09:53,640 WITH A LIGHT "JOINT." 266 00:09:53,640 --> 00:09:55,800 [♪♪♪] 267 00:09:59,680 --> 00:10:01,200 INSPECTOR SIENNA PRIDE. 268 00:10:01,200 --> 00:10:03,040 SCOTLAND YARD. 269 00:10:03,040 --> 00:10:04,360 INTERROGATION SPECIALIST. 270 00:10:05,760 --> 00:10:09,040 INVESTIGATOR SEBASTIAN BERGER, 271 00:10:05,760 --> 00:10:09,040 TECH GENIUS. 272 00:10:09,040 --> 00:10:12,200 POLIZEI IN BERLIN, GERMANY. 273 00:10:12,200 --> 00:10:16,360 EVA VITTORIA, SERGEANT, 274 00:10:12,200 --> 00:10:16,360 ANTI-MAFIA. 275 00:10:16,360 --> 00:10:19,440 UNDERCOVER 276 00:10:16,360 --> 00:10:19,440 AND COVERT OPERATIONS. 277 00:10:19,440 --> 00:10:22,360 [LOUIS]: 278 00:10:19,440 --> 00:10:22,360 DETECTIVE TOMMY McCONNELL, 279 00:10:22,360 --> 00:10:25,360 POLICE SERVICES 280 00:10:22,360 --> 00:10:25,360 NORTHERN IRELAND, 281 00:10:25,360 --> 00:10:27,040 WEAPONS AND TACTICAL EXPERT. 282 00:10:27,040 --> 00:10:30,040 AND DETECTIVE SERGEANT 283 00:10:27,040 --> 00:10:30,040 ANNE-MARIE SAN. 284 00:10:30,040 --> 00:10:33,600 CRIMINAL ANALYST, 285 00:10:30,040 --> 00:10:33,600 TRAFFIC AND CRIMES SPECIALIST. 286 00:10:34,920 --> 00:10:37,440 TEAM, MAY I PRESENT... 287 00:10:37,440 --> 00:10:39,560 DETECTIVE FIRST-GRADE 288 00:10:37,440 --> 00:10:39,560 CARLTON HICKMAN. 289 00:10:39,560 --> 00:10:41,240 -YOU PREFER "CARL." 290 00:10:39,560 --> 00:10:41,240 -NYPD. 291 00:10:41,240 --> 00:10:42,800 FORMER NYPD. 292 00:10:42,800 --> 00:10:45,120 LED THE DEPARTMENT IN ARRESTS 293 00:10:42,800 --> 00:10:45,120 SIX YEARS RUNNING. 294 00:10:45,120 --> 00:10:47,000 IN CONVICTIONS, TOO. 295 00:10:47,000 --> 00:10:49,400 FOUR YEARS 296 00:10:47,000 --> 00:10:49,400 AS NYPD LIAISON 297 00:10:49,400 --> 00:10:50,800 IN EUROPOL AFTER 9/11. 298 00:10:50,800 --> 00:10:53,080 THEN BACK TO NEW YORK, 299 00:10:50,800 --> 00:10:53,080 WHERE YOU LED THE DEPARTMENT 300 00:10:53,080 --> 00:10:54,680 IN ARRESTS AGAIN. 301 00:10:54,680 --> 00:10:55,840 UNTIL YOU WERE SHOT 302 00:10:54,680 --> 00:10:55,840 IN THE HAND. 303 00:10:55,840 --> 00:10:57,120 CHASING 304 00:10:55,840 --> 00:10:57,120 A CHILD ABDUCTION SUSPECT. 305 00:10:57,120 --> 00:10:59,640 -WHO GOT AWAY. 306 00:10:57,120 --> 00:10:59,640 -BUT YOU SAVED THE CHILD. 307 00:10:59,640 --> 00:11:01,520 HOW DID WE DO? 308 00:11:04,360 --> 00:11:06,280 IMPRESSIVE USE OF GOOGLE. 309 00:11:08,480 --> 00:11:11,040 YOU HAVE ALL THE SKILLS 310 00:11:08,480 --> 00:11:11,040 OF 12-YEAR-OLDS. 311 00:11:11,040 --> 00:11:14,400 WELL, HERE'S ONE THING 312 00:11:11,040 --> 00:11:14,400 I COULDN'T FIND ON GOOGLE. 313 00:11:14,400 --> 00:11:16,640 IF YOU'RE SO BLOODY GOOD, 314 00:11:16,640 --> 00:11:19,440 WHY'D THE NYPD SACK YOU? 315 00:11:25,760 --> 00:11:28,440 I'M ONLY HERE BECAUSE... 316 00:11:30,000 --> 00:11:31,440 LOUIS ASKED ME TO COME-- 317 00:11:31,440 --> 00:11:34,040 IF I'M SO BLOODY GOOD... 318 00:11:39,480 --> 00:11:43,040 [SCOFFS] YOU CAN KISS MY ASS 319 00:11:39,480 --> 00:11:43,040 IN MACY'S WINDOW. 320 00:11:43,040 --> 00:11:44,600 ASSHOLE. 321 00:11:47,920 --> 00:11:49,120 MACY'S WINDOW? 322 00:11:49,120 --> 00:11:51,120 IT'S A SHOP IN NEW YORK. 323 00:11:51,120 --> 00:11:52,640 YOU WOULD KNOW THAT. 324 00:11:52,640 --> 00:11:54,920 WELL, IT'S NOT JUST NEW YORK, 325 00:11:52,640 --> 00:11:54,920 IT'S ALL OVER AMERICA. 326 00:11:54,920 --> 00:11:57,280 WHY WOULD HIS "ASS" 327 00:11:54,920 --> 00:11:57,280 BE IN THE WINDOW? 328 00:11:57,280 --> 00:11:59,040 WAITING TO BE KISSED 329 00:11:57,280 --> 00:11:59,040 BY TOMMY McCONNELL. 330 00:12:00,440 --> 00:12:01,480 [LAUGHING] 331 00:12:04,200 --> 00:12:06,320 CARL, PLEASE. 332 00:12:07,360 --> 00:12:09,000 I DON'T NEED THIS. 333 00:12:09,000 --> 00:12:11,040 NYPD BETRAYED YOU. 334 00:12:11,040 --> 00:12:12,240 IT'S NOT FAIR. 335 00:12:12,240 --> 00:12:13,760 I DON'T WANT TO SEE YOU 336 00:12:13,760 --> 00:12:16,920 ENDING UP A GARBAGE MAN 337 00:12:13,760 --> 00:12:16,920 IN A CARNIVAL. 338 00:12:16,920 --> 00:12:18,560 I SAW YOU TODAY 339 00:12:16,920 --> 00:12:18,560 WITH THAT MAN. 340 00:12:18,560 --> 00:12:20,480 YOUR MIND 341 00:12:18,560 --> 00:12:20,480 IS SHARP AS EVER. 342 00:12:20,480 --> 00:12:23,440 WE HAVE A CHANCE 343 00:12:20,480 --> 00:12:23,440 TO STOP A KILLER. 344 00:12:23,440 --> 00:12:24,800 A BAD ONE. 345 00:12:24,800 --> 00:12:26,440 YOU DON'T WANT THAT? 346 00:12:26,440 --> 00:12:28,440 THAT'S NOT 347 00:12:26,440 --> 00:12:28,440 WHAT YOU NEED? 348 00:12:28,440 --> 00:12:32,000 [♪♪♪] 349 00:12:32,000 --> 00:12:34,080 [FOOTSTEPS] 350 00:12:37,280 --> 00:12:39,120 I WAS SACKED 351 00:12:39,120 --> 00:12:41,240 BECAUSE MY BOSSES WERE 352 00:12:41,240 --> 00:12:43,360 ASSHOLES 353 00:12:41,240 --> 00:12:43,360 WHO STABBED ME IN THE BACK. 354 00:12:43,360 --> 00:12:46,080 ALSO, I'M ON 355 00:12:43,360 --> 00:12:46,080 PERMANENT HEAVY MEDS, 356 00:12:46,080 --> 00:12:48,520 AND I HAVE A USELESS RIGHT HAND, 357 00:12:48,520 --> 00:12:51,240 THE HAND THAT I WRITE 358 00:12:48,520 --> 00:12:51,240 AND SHOOT WITH, 359 00:12:51,240 --> 00:12:54,880 SO I CAN'T FILL OUT A REPORT 360 00:12:51,240 --> 00:12:54,880 OR HOLD A GUN. 361 00:12:57,880 --> 00:13:00,200 ANY OTHER QUESTIONS? 362 00:13:01,200 --> 00:13:03,040 ANYONE? 363 00:13:04,400 --> 00:13:05,680 NOT RIGHT NOW. 364 00:13:05,680 --> 00:13:06,880 [LOUIS]: GOOD. 365 00:13:06,880 --> 00:13:08,360 SO LET'S STOP A MONSTER 366 00:13:08,360 --> 00:13:10,320 BEFORE HE KILLS 367 00:13:08,360 --> 00:13:10,320 ANOTHER WOMAN. 368 00:13:13,240 --> 00:13:16,720 SO, THE FIRST VICTIM WAS IN ROME 369 00:13:13,240 --> 00:13:16,720 SEVEN MONTHS AGO. 370 00:13:16,720 --> 00:13:18,880 A YOUNG GIRL 371 00:13:16,720 --> 00:13:18,880 IN VILLA BORGHESE PARK, 372 00:13:18,880 --> 00:13:20,080 IN THE WOODS. 373 00:13:20,080 --> 00:13:21,480 SAME THING IN DUBLIN, 374 00:13:20,080 --> 00:13:21,480 THREE MONTHS LATER. 375 00:13:21,480 --> 00:13:22,720 PHOENIX PARK. 376 00:13:22,720 --> 00:13:24,240 LONDON'S RICHMOND PARK, 377 00:13:22,720 --> 00:13:24,240 ONE MONTH AGO. 378 00:13:24,240 --> 00:13:27,840 AND, NIGHT BEFORE LAST, 379 00:13:24,240 --> 00:13:27,840 PARC DE SAINT-CLOUD IN PARIS. 380 00:13:27,840 --> 00:13:29,320 EACH KILLED 381 00:13:27,840 --> 00:13:29,320 IN A LARGE PARK 382 00:13:29,320 --> 00:13:30,400 IN A CAPITAL CITY. 383 00:13:30,400 --> 00:13:31,760 HE'S PUTTING ON A SHOW. 384 00:13:31,760 --> 00:13:33,360 TOSSER LIKE THIS 385 00:13:31,760 --> 00:13:33,360 ALWAYS IS. 386 00:13:33,360 --> 00:13:34,840 [ANNE-MARIE]: THREE MONTHS 387 00:13:33,360 --> 00:13:34,840 BETWEEN THE FIRST AND SECOND, 388 00:13:34,840 --> 00:13:36,600 THREE MONTHS 389 00:13:34,840 --> 00:13:36,600 BETWEEN THE SECOND AND THIRD, 390 00:13:36,600 --> 00:13:38,720 BUT NOW ONLY ONE MONTH 391 00:13:36,600 --> 00:13:38,720 BEFORE THE FOURTH. 392 00:13:38,720 --> 00:13:40,120 THE TIME BETWEEN VICTIMS 393 00:13:38,720 --> 00:13:40,120 IS GETTING SHORTER. 394 00:13:40,120 --> 00:13:42,400 HAVE ANY OF THE WOMEN 395 00:13:40,120 --> 00:13:42,400 BEEN IDENTIFIED? 396 00:13:42,400 --> 00:13:44,280 THERE'S NOTHING 397 00:13:42,400 --> 00:13:44,280 TO IDENTIFY THEM WITH. 398 00:13:44,280 --> 00:13:46,600 HE DID SO MUCH DAMAGE 399 00:13:44,280 --> 00:13:46,600 TO THE FACES AND JAW LINES, 400 00:13:46,600 --> 00:13:49,480 IT'S IMPOSSIBLE TO COMPARE THEM 401 00:13:46,600 --> 00:13:49,480 WITH PHOTOGRAPHS 402 00:13:49,480 --> 00:13:51,080 OR DENTAL RECORDS, 403 00:13:51,080 --> 00:13:52,840 AND THE FINGERPRINTS 404 00:13:51,080 --> 00:13:52,840 ARE GONE. 405 00:13:52,840 --> 00:13:55,200 GROUND OFF. 406 00:13:52,840 --> 00:13:55,200 LIKE WITH SANDPAPER. 407 00:13:55,200 --> 00:13:56,400 [ANNE-MARIE]: 408 00:13:55,200 --> 00:13:56,400 HE BRINGS TOOLS. 409 00:13:57,800 --> 00:14:00,240 NONE OF THE VICTIMS MATCH 410 00:13:57,800 --> 00:14:00,240 ANY OPEN MISSING-PERSONS REPORT 411 00:14:00,240 --> 00:14:02,000 AS FAR AS HEIGHT 412 00:14:00,240 --> 00:14:02,000 AND HAIR COLOUR. 413 00:14:02,000 --> 00:14:04,440 [SIENNA]: HE ALSO REMOVES 414 00:14:02,000 --> 00:14:04,440 CLOTHING, JEWELLERY, 415 00:14:04,440 --> 00:14:06,560 ANYTHING WE CAN USE 416 00:14:04,440 --> 00:14:06,560 FOR SECONDARY IDENTIFICATION. 417 00:14:06,560 --> 00:14:08,640 HE DIDN'T JUST CONCEAL 418 00:14:06,560 --> 00:14:08,640 THEIR IDENTITIES, 419 00:14:08,640 --> 00:14:09,760 HE ERASED THEM. 420 00:14:09,760 --> 00:14:11,600 HE'LL MESS UP. 421 00:14:09,760 --> 00:14:11,600 THEY ALWAYS DO. 422 00:14:11,600 --> 00:14:13,840 PROSTITUTES 423 00:14:11,600 --> 00:14:13,840 SOMETIMES GO MISSING. 424 00:14:13,840 --> 00:14:15,640 THESE WOMEN 425 00:14:13,840 --> 00:14:15,640 DON'T LOOK LIKE, UH... 426 00:14:15,640 --> 00:14:17,240 THEY'RE NOT THE STREET TYPES. 427 00:14:17,240 --> 00:14:19,720 THEY SEEM HEALTHY, 428 00:14:17,240 --> 00:14:19,720 IN RELATIVELY GOOD SHAPE. 429 00:14:19,720 --> 00:14:20,720 NO SIGNS OF DRUG USE. 430 00:14:20,720 --> 00:14:21,720 HOW CAN 431 00:14:20,720 --> 00:14:21,720 FOUR YOUNG GIRLS BE DEAD 432 00:14:21,720 --> 00:14:23,560 AND NO ONE 433 00:14:21,720 --> 00:14:23,560 IS LOOKING FOR THEM? 434 00:14:23,560 --> 00:14:26,040 [SIENNA]: 435 00:14:23,560 --> 00:14:26,040 WE'VE GOT NOTHING AT ALL 436 00:14:26,040 --> 00:14:27,880 BUT FOUR FACELESS, 437 00:14:26,040 --> 00:14:27,880 NAMELESS BODIES. 438 00:14:27,880 --> 00:14:30,360 THAT'S NOT NECESSARILY TRUE. 439 00:14:32,440 --> 00:14:34,440 EVERY FACT HAS A REVERSE. 440 00:14:34,440 --> 00:14:37,040 HAVING NO IDENTIFYING 441 00:14:34,440 --> 00:14:37,040 INFORMATION MEANS-- 442 00:14:37,040 --> 00:14:38,640 COULD MEAN... 443 00:14:38,640 --> 00:14:41,080 THAT HE WENT TO A LOT OF TROUBLE 444 00:14:38,640 --> 00:14:41,080 TO KEEP THEM UNIDENTIFIED. 445 00:14:43,840 --> 00:14:45,040 WHY DO THAT? 446 00:14:47,760 --> 00:14:48,880 WHY DO THAT? 447 00:14:48,880 --> 00:14:51,800 ...IF THEY WERE 448 00:14:48,880 --> 00:14:51,800 CONNECTED TO HIM. 449 00:14:52,600 --> 00:14:54,400 IF WE I.D. THEM... 450 00:14:56,360 --> 00:14:58,880 IT PROBABLY WOULD LEAD 451 00:14:56,360 --> 00:14:58,880 DIRECTLY TO HIM. 452 00:14:58,880 --> 00:15:00,360 SO, JOB ONE, 453 00:15:00,360 --> 00:15:01,640 WHO ARE THESE WOMEN? 454 00:15:01,640 --> 00:15:05,040 SIENNA AND TOMMY, 455 00:15:01,640 --> 00:15:05,040 YOU GO TO THE PARIS MORGUE 456 00:15:05,040 --> 00:15:06,240 AND FOLLOW UP WITH THE BODY. 457 00:15:06,240 --> 00:15:07,320 STRAIGHT AWAY, SIR. 458 00:15:07,320 --> 00:15:08,560 ANNE-MARIE, TAKE HICKMAN 459 00:15:08,560 --> 00:15:10,880 TO THE PARC DE SAINT-CLOUD 460 00:15:08,560 --> 00:15:10,880 CRIME SCENE. 461 00:15:10,880 --> 00:15:13,280 SEBASTIAN, GO AS WELL, 462 00:15:10,880 --> 00:15:13,280 AND USE YOUR NEW EQUIPMENT. 463 00:15:13,280 --> 00:15:15,040 VERY GOOD, SIR. 464 00:15:15,040 --> 00:15:16,160 WE SHOULD BE ABLE 465 00:15:15,040 --> 00:15:16,160 TO JOIN YOU ALL 466 00:15:16,160 --> 00:15:17,680 IN PARIS BY NIGHTFALL. 467 00:15:16,160 --> 00:15:17,680 ALL RIGHT? 468 00:15:17,680 --> 00:15:20,920 [♪♪♪] 469 00:15:22,200 --> 00:15:24,600 GOT A TICKET IN MY NAME? 470 00:15:24,600 --> 00:15:26,720 PRETTY CONFIDENT 471 00:15:24,600 --> 00:15:26,720 I'D JOIN UP. 472 00:15:26,720 --> 00:15:31,040 YOU'RE NOT THE ONLY ONE 473 00:15:26,720 --> 00:15:31,040 WITH DEDUCTIVE SKILLS. 474 00:15:32,000 --> 00:15:33,440 EVA, YOU'RE WITH ME. 475 00:15:33,440 --> 00:15:35,040 NOW THAT EVERYONE IS WORKING, 476 00:15:35,040 --> 00:15:37,440 I GUESS 477 00:15:35,040 --> 00:15:37,440 WE SHOULD GET PERMISSION. 478 00:15:41,040 --> 00:15:43,440 [♪♪♪] 479 00:15:54,840 --> 00:15:57,480 [♪♪♪] 480 00:16:02,360 --> 00:16:04,840 [EXHALES DEEPLY] 481 00:16:11,520 --> 00:16:14,600 [♪♪♪] 482 00:16:21,840 --> 00:16:23,560 HOW MUCH OF THAT 483 00:16:21,840 --> 00:16:23,560 DO YOU TAKE? 484 00:16:24,600 --> 00:16:26,640 I FOLLOW THE DIRECTIONS. 485 00:16:26,640 --> 00:16:29,600 CAN WE TRUST 486 00:16:26,640 --> 00:16:29,600 YOUR BRAIN ON THAT? 487 00:16:29,600 --> 00:16:31,720 I PROBABLY WOULDN'T. 488 00:16:31,720 --> 00:16:33,120 DRINK? 489 00:16:33,120 --> 00:16:34,120 NO. 490 00:16:34,120 --> 00:16:37,640 IRISHMAN 491 00:16:34,120 --> 00:16:37,640 REFUSES A DRINK. 492 00:16:37,640 --> 00:16:40,240 ALERT THE MEDIA. 493 00:16:40,240 --> 00:16:41,600 COCKY AMERICAN. 494 00:16:41,600 --> 00:16:43,240 WHO SAW THAT COMING? 495 00:16:52,480 --> 00:16:54,640 HOW MUCH DID YOU WIN 496 00:16:52,480 --> 00:16:54,640 IN YOUR LAST FIGHT? 497 00:16:56,280 --> 00:16:59,640 OR WAS IT JUST A FEUD THING? 498 00:17:03,320 --> 00:17:05,200 THIS YOUR WAY 499 00:17:03,320 --> 00:17:05,200 OF IMPRESSING ME? 500 00:17:05,200 --> 00:17:07,040 YOU RECKON 501 00:17:05,200 --> 00:17:07,040 I'LL GO ALL CHILLY 502 00:17:07,040 --> 00:17:09,840 'CAUSE YOU DEDUCED 503 00:17:07,040 --> 00:17:09,840 I BARE-KNUCKLE FIGHT? 504 00:17:12,320 --> 00:17:14,320 BROKEN 51 TIMES, 505 00:17:14,320 --> 00:17:15,600 GREW BACK WANKY. 506 00:17:15,600 --> 00:17:17,280 ANYONE CAN SEE IT. 507 00:17:17,280 --> 00:17:18,920 NOT TOO MANY WAYS 508 00:17:17,280 --> 00:17:18,920 THAT HAPPENS, 509 00:17:18,920 --> 00:17:20,400 PAST PUNCHING THINGS 510 00:17:18,920 --> 00:17:20,400 WITHOUT GLOVES ON. 511 00:17:20,400 --> 00:17:22,840 MY LESS-THAN-POSH 512 00:17:20,400 --> 00:17:22,840 IRISH BACKGROUND 513 00:17:22,840 --> 00:17:24,920 POINTS TO BARE-KNUCKLE 514 00:17:22,840 --> 00:17:24,920 CLAN FIGHTING, 515 00:17:24,920 --> 00:17:28,320 AND MY STILL-PRETTY FACE 516 00:17:24,920 --> 00:17:28,320 SAYS I USUALLY WIN. 517 00:17:29,720 --> 00:17:34,080 YOU'RE NO SMARTER THAN ME, 518 00:17:29,720 --> 00:17:34,080 SUPER-DETECTIVE. 519 00:17:34,080 --> 00:17:36,560 YOU'RE AN ANGRY GUY, TOMMY. 520 00:17:38,080 --> 00:17:40,080 THAT'S GONNA GET IN YOUR WAY. 521 00:17:40,080 --> 00:17:42,360 YOU SAYING 522 00:17:40,080 --> 00:17:42,360 YOU'RE NOT ANGRY? 523 00:17:43,480 --> 00:17:45,120 I'M SAYING 524 00:17:45,120 --> 00:17:47,680 THE LAST PERSON IN THE WORLD 525 00:17:45,120 --> 00:17:47,680 YOU WANT TO END UP LIKE IS ME. 526 00:17:47,680 --> 00:17:49,960 [♪♪♪] 527 00:17:57,080 --> 00:17:59,360 [♪♪♪] 528 00:18:05,320 --> 00:18:07,400 [♪♪♪] 529 00:18:12,480 --> 00:18:14,040 LOUIS. 530 00:18:15,880 --> 00:18:18,800 SERGEANT VITTORIA 531 00:18:15,880 --> 00:18:18,800 OF THE N.O.C.S. IN ROME. 532 00:18:18,800 --> 00:18:20,120 THIS IS... 533 00:18:20,120 --> 00:18:22,920 MIKAEL LECHNYA DORN. 534 00:18:22,920 --> 00:18:24,120 I'M HONOURED, SIR. 535 00:18:24,120 --> 00:18:25,320 I KNOW OF YOUR WORK 536 00:18:25,320 --> 00:18:27,120 WITH THE INTERNATIONAL 537 00:18:25,320 --> 00:18:27,120 CRIMINAL COURT. 538 00:18:27,120 --> 00:18:28,320 "SIR?" 539 00:18:28,320 --> 00:18:32,560 I'M NOT ONE OF 540 00:18:28,320 --> 00:18:32,560 YOUR "SIRS," SERGEANT. 541 00:18:33,360 --> 00:18:36,160 I'M DORN. JUST DORN. 542 00:18:37,920 --> 00:18:39,920 THEY REFUSED 543 00:18:37,920 --> 00:18:39,920 TO SANCTION YOUR TEAM. 544 00:18:39,920 --> 00:18:41,120 WHAT? 545 00:18:41,120 --> 00:18:42,440 I WARNED YOU, LOUIS. 546 00:18:42,440 --> 00:18:44,400 MY HANDS ARE 547 00:18:42,440 --> 00:18:44,400 PRETTY MUCH TIED. 548 00:18:44,400 --> 00:18:47,200 THEY'RE VERY CAUTIOUS, 549 00:18:44,400 --> 00:18:47,200 THOSE MEN IN THERE. 550 00:18:47,200 --> 00:18:48,360 THEY DON'T SEEK 551 00:18:48,360 --> 00:18:50,840 FAME, MONEY, AMBITION. 552 00:18:50,840 --> 00:18:52,720 THEY'RE INCORRUPTIBLE, 553 00:18:52,720 --> 00:18:54,040 WHICH MEANS 554 00:18:52,720 --> 00:18:54,040 IT'S VERY DIFFICULT 555 00:18:54,040 --> 00:18:55,560 TO MAKE A DEAL 556 00:18:54,040 --> 00:18:55,560 WITH THEM. 557 00:18:55,560 --> 00:18:57,040 DID THEY GIVE 558 00:18:55,560 --> 00:18:57,040 A REASON FOR REFUSAL? 559 00:18:57,040 --> 00:18:58,760 YEAH. THEY'RE CONCERNED 560 00:18:57,040 --> 00:18:58,760 THAT THEY WOULD BE, 561 00:18:58,760 --> 00:19:01,920 OR WOULD APPEAR TO BE, 562 00:18:58,760 --> 00:19:01,920 USURPING THE POWER 563 00:19:01,920 --> 00:19:03,320 OF SOVEREIGN STATES. 564 00:19:03,320 --> 00:19:04,560 I'M NOT ASKING FOR POWER, 565 00:19:03,320 --> 00:19:04,560 I JUST WANT TO DO MY JOB. 566 00:19:04,560 --> 00:19:06,800 WELL... 567 00:19:06,800 --> 00:19:10,200 YOU'RE GOING TO HAVE TO FIND 568 00:19:06,800 --> 00:19:10,200 ANOTHER WAY TO DO YOUR JOB. 569 00:19:10,200 --> 00:19:11,600 I DON'T UNDERSTAND. 570 00:19:11,600 --> 00:19:14,280 THE WORKINGS OF THE COURT 571 00:19:11,600 --> 00:19:14,280 ARE VERY COMPLICATED-- 572 00:19:14,280 --> 00:19:15,720 NOT THEM. 573 00:19:15,720 --> 00:19:16,920 YOU. 574 00:19:18,000 --> 00:19:20,080 I DON'T UNDERSTAND YOU. 575 00:19:20,080 --> 00:19:22,440 I BEG YOUR PARDON? 576 00:19:23,440 --> 00:19:27,480 I READ SOMETHING 577 00:19:23,440 --> 00:19:27,480 YOU WROTE ONCE, 578 00:19:27,480 --> 00:19:29,880 IN A REPORT ON KOSOVO. 579 00:19:31,040 --> 00:19:34,920 "THE MOTHERS AND WIVES 580 00:19:31,040 --> 00:19:34,920 OF MISSING SERBS 581 00:19:34,920 --> 00:19:38,440 "ARE BEGGING FOR 582 00:19:34,920 --> 00:19:38,440 THEIR LOVED ONES TO BE FOUND, 583 00:19:38,440 --> 00:19:40,640 "BUT THEY NEVER WILL BE. 584 00:19:40,640 --> 00:19:42,520 THIS COURT IS THE ONLY--" 585 00:19:42,520 --> 00:19:44,120 "THIS COURT..." 586 00:19:45,040 --> 00:19:47,600 "...IS THE ONLY PLACE 587 00:19:45,040 --> 00:19:47,600 FOR THEM TO TURN. 588 00:19:47,600 --> 00:19:50,280 "WE WEEP 589 00:19:50,280 --> 00:19:52,640 FOR THOSE 590 00:19:50,280 --> 00:19:52,640 NO ONE ELSE WEEPS FOR." 591 00:19:54,120 --> 00:19:57,200 EXACTLY. 592 00:19:58,880 --> 00:20:02,040 FOUR WOMEN HAVE BEEN BUTCHERED 593 00:19:58,880 --> 00:20:02,040 BY THE SAME MAN 594 00:20:02,040 --> 00:20:03,440 IN FOUR DIFFERENT COUNTRIES. 595 00:20:03,440 --> 00:20:05,440 THAT MAN WILL 596 00:20:03,440 --> 00:20:05,440 NEVER BE CAUGHT 597 00:20:05,440 --> 00:20:06,800 BECAUSE THE AUTHORITIES 598 00:20:05,440 --> 00:20:06,800 IN ROME 599 00:20:06,800 --> 00:20:09,160 DON'T TALK TO DUBLIN, 600 00:20:06,800 --> 00:20:09,160 WHO DON'T TALK TO PARIS, 601 00:20:09,160 --> 00:20:11,240 WHO DON'T 602 00:20:09,160 --> 00:20:11,240 TALK TO LONDON. 603 00:20:11,240 --> 00:20:13,360 I MEAN, 604 00:20:11,240 --> 00:20:13,360 I-IT'S NOT THEIR FAULT, 605 00:20:13,360 --> 00:20:15,080 BUT THAT'S THE WAY IT WORKED 606 00:20:15,080 --> 00:20:18,160 UNTIL MAJOR DANIEL 607 00:20:15,080 --> 00:20:18,160 BROUGHT US TOGETHER. 608 00:20:19,320 --> 00:20:21,720 MAYBE ONE DAY, 609 00:20:19,320 --> 00:20:21,720 WE WON'T NEED IT, 610 00:20:21,720 --> 00:20:23,240 BUT RIGHT NOW, 611 00:20:23,240 --> 00:20:25,920 THIS COURT 612 00:20:23,240 --> 00:20:25,920 IS THE ONLY PLACE 613 00:20:25,920 --> 00:20:27,880 FOR THESE WOMEN TO TURN. 614 00:20:27,880 --> 00:20:30,920 NO ONE ELSE WEEPS FOR THEM. 615 00:20:30,920 --> 00:20:33,360 NO ONE. 616 00:20:35,280 --> 00:20:37,440 WE'RE ADJOURNED. 617 00:20:37,440 --> 00:20:39,640 IT'S A CRIME OF AGGRESSION 618 00:20:39,640 --> 00:20:42,880 THAT IS ONGOING, SYSTEMATIC 619 00:20:39,640 --> 00:20:42,880 AND CROSS-BORDER. 620 00:20:42,880 --> 00:20:45,680 THIS IS EXACTLY 621 00:20:42,880 --> 00:20:45,680 WHAT THE I.C.C. DOES. 622 00:20:47,520 --> 00:20:50,480 [SIGHS]: SORRY. 623 00:20:50,480 --> 00:20:52,840 NO. IT'S FINE. 624 00:20:53,880 --> 00:20:58,760 WHAT MAN DOESN'T LIKE A WOMAN 625 00:20:53,880 --> 00:20:58,760 TO TELL HIM HOW BRILLIANT HE IS? 626 00:20:58,760 --> 00:21:00,760 [SCOFFS REGRETFULLY] 627 00:21:01,720 --> 00:21:03,840 GET READY TO TRAVEL. 628 00:21:03,840 --> 00:21:05,560 -ARE YOU SURE? 629 00:21:03,840 --> 00:21:05,560 -ABSOLUTELY. 630 00:21:07,240 --> 00:21:09,920 [♪♪♪] 631 00:21:16,280 --> 00:21:18,640 I.C.C. TEAM 632 00:21:16,280 --> 00:21:18,640 FROM THE HAGUE? 633 00:21:18,640 --> 00:21:20,080 -CA VA? 634 00:21:18,640 --> 00:21:20,080 -CA VA. 635 00:21:20,080 --> 00:21:21,920 MAJOR DANIEL SAID 636 00:21:20,080 --> 00:21:21,920 TWO CARS WOULD BE SUFFICIENT. 637 00:21:21,920 --> 00:21:22,920 C'EST LES DEUX-LA. 638 00:21:22,920 --> 00:21:24,200 -OKAY. 639 00:21:22,920 --> 00:21:24,200 -D'ACCORD. 640 00:21:24,200 --> 00:21:25,680 -MERCI, DETECTIVE MOREAU. 641 00:21:24,200 --> 00:21:25,680 -AVEC PLAISIR. 642 00:21:25,680 --> 00:21:26,800 THAT'S SERVICE. 643 00:21:26,800 --> 00:21:27,880 I.C.C. TEAM? 644 00:21:27,880 --> 00:21:29,040 I DIDN'T KNOW 645 00:21:27,880 --> 00:21:29,040 WE HAD A NAME. 646 00:21:29,040 --> 00:21:30,800 IT'S LIKE WE'RE 647 00:21:29,040 --> 00:21:30,800 THE JUSTICE LEAGUE 648 00:21:30,800 --> 00:21:32,080 OR SOMETHING. 649 00:21:32,080 --> 00:21:33,120 "JUSTICE LEAGUE?" 650 00:21:33,120 --> 00:21:34,760 IT'S AN AMERICAN 651 00:21:33,120 --> 00:21:34,760 COMIC BOOK 652 00:21:34,760 --> 00:21:36,200 ABOUT A TEAM 653 00:21:34,760 --> 00:21:36,200 OF SUPER-HEROES. 654 00:21:36,200 --> 00:21:37,440 HOW DO YOU LOT 655 00:21:36,200 --> 00:21:37,440 NOT KNOW THAT? 656 00:21:37,440 --> 00:21:39,040 WHAT DID YOU READ 657 00:21:37,440 --> 00:21:39,040 WHEN YOU WERE KIDS? 658 00:21:39,040 --> 00:21:40,400 -BIOGRAPHIES. 659 00:21:39,040 --> 00:21:40,400 -ENCYCLOPEDIAS. 660 00:21:40,400 --> 00:21:41,880 THINGS WITH 661 00:21:40,400 --> 00:21:41,880 GROWN-UP WORDS. 662 00:21:41,880 --> 00:21:43,160 GUESS I DIDN'T GET 663 00:21:41,880 --> 00:21:43,160 THE SAME BOOKS 664 00:21:43,160 --> 00:21:44,720 AS YOU CHELTENHAM 665 00:21:43,160 --> 00:21:44,720 GIRLS' SCHOOL LOT. 666 00:21:44,720 --> 00:21:45,720 CHELTENHAM "LADIES," 667 00:21:44,720 --> 00:21:45,720 ACTUALLY. 668 00:21:45,720 --> 00:21:47,120 ALL RIGHT, LADIES, IS IT? 669 00:21:47,120 --> 00:21:49,040 WE'LL SEE YOU 670 00:21:47,120 --> 00:21:49,040 AT THE CRIME SCENE. 671 00:21:49,040 --> 00:21:50,840 TOMMY! 672 00:21:50,840 --> 00:21:52,440 HEY, I DRIVE. 673 00:21:52,440 --> 00:21:53,720 OH, GROW UP. 674 00:21:53,720 --> 00:21:55,040 WHY DON'T THEY JUST 675 00:21:53,720 --> 00:21:55,040 GO FAIRE L'AMOUR 676 00:21:55,040 --> 00:21:56,920 AND GET IT OVER WITH? 677 00:21:56,920 --> 00:21:58,120 [ENGINE STARTS] 678 00:21:58,120 --> 00:22:01,200 [♪♪♪] 679 00:22:07,160 --> 00:22:10,200 OH, STAY, STAY, STAY. 680 00:22:10,200 --> 00:22:12,080 [EXHALES WEARILY] 681 00:22:13,440 --> 00:22:16,680 THE MAGISTRATE IS 682 00:22:13,440 --> 00:22:16,680 WRITING UP AN ORDER, 683 00:22:16,680 --> 00:22:19,120 AUTHORIZING YOU 684 00:22:16,680 --> 00:22:19,120 TO INVESTIGATE 685 00:22:19,120 --> 00:22:20,640 THIS CRIME SERIES. 686 00:22:20,640 --> 00:22:22,160 THIS SERIES ONLY. 687 00:22:22,160 --> 00:22:23,520 THANK YOU, DORN. 688 00:22:23,520 --> 00:22:24,760 THANK SERGEANT VITTORIA. 689 00:22:26,920 --> 00:22:29,560 IT'S ALWAYS THE SAME. 690 00:22:29,560 --> 00:22:32,040 A WOMAN'S MIND IS... 691 00:22:32,040 --> 00:22:35,040 QUITE EXTRAORDINARY. 692 00:22:35,040 --> 00:22:37,240 HERE. 693 00:22:38,720 --> 00:22:41,200 YOU ARE DOING THIS 694 00:22:38,720 --> 00:22:41,200 FOR THE RIGHT REASONS, 695 00:22:41,200 --> 00:22:42,480 AREN'T YOU, LOUIS? 696 00:22:43,560 --> 00:22:45,440 THIS IS ABOUT THE WOMEN, 697 00:22:43,560 --> 00:22:45,440 ABOUT THE JOB, YES? 698 00:22:45,440 --> 00:22:48,000 YOU ARE NOT 699 00:22:45,440 --> 00:22:48,000 USING EVERYONE 700 00:22:48,000 --> 00:22:49,840 TO FURTHER ANOTHER END, 701 00:22:48,000 --> 00:22:49,840 ARE YOU? 702 00:22:49,840 --> 00:22:52,280 WHAT DO YOU WANT ME TO SAY? 703 00:22:52,280 --> 00:22:54,480 THE TRUTH. 704 00:22:54,480 --> 00:22:56,640 I DON'T KNOW. 705 00:22:57,680 --> 00:22:59,800 [SIGHS] 706 00:23:02,040 --> 00:23:04,240 HOW IS REBECCA? 707 00:23:04,240 --> 00:23:06,800 THE SAME. 708 00:23:06,800 --> 00:23:08,440 -[FOOTSTEPS] 709 00:23:06,800 --> 00:23:08,440 -THANK YOU. 710 00:23:08,440 --> 00:23:10,520 [♪♪♪] 711 00:23:10,520 --> 00:23:12,640 YOUR ORDER. 712 00:23:14,680 --> 00:23:16,800 BE WARY, MY FRIEND. 713 00:23:16,800 --> 00:23:19,440 "THOSE TO WHOM 714 00:23:16,800 --> 00:23:19,440 EVIL IS DONE..." 715 00:23:20,880 --> 00:23:23,760 "...DO EVIL 716 00:23:20,880 --> 00:23:23,760 IN RETURN." 717 00:23:23,760 --> 00:23:25,000 YOU QUOTE AUDEN TO ME? 718 00:23:25,000 --> 00:23:27,120 [CHUCKLES] 719 00:23:27,120 --> 00:23:29,920 SERVES YOU RIGHT. 720 00:23:27,120 --> 00:23:29,920 YOU GAVE HIM TO ME. 721 00:23:29,920 --> 00:23:31,200 YEAH. 722 00:23:31,200 --> 00:23:35,040 IT ALSO SAYS 723 00:23:31,200 --> 00:23:35,040 "WE MUST LOVE EACH OTHER..." 724 00:23:35,040 --> 00:23:37,240 [BOTH]: "...OR DIE." 725 00:23:37,240 --> 00:23:38,800 I CAN ASSURE YOU 726 00:23:38,800 --> 00:23:42,080 THAT THOSE 727 00:23:38,800 --> 00:23:42,080 CONVENTIONAL AUTHORITIES 728 00:23:42,080 --> 00:23:43,800 IN THOSE COUNTRIES 729 00:23:43,800 --> 00:23:45,200 WILL NOT LOVE YOU. 730 00:23:45,200 --> 00:23:46,600 PROBABLY NOT. 731 00:23:46,600 --> 00:23:47,800 [DORN CHUCKLES] 732 00:23:47,800 --> 00:23:49,920 THANK YOU. 733 00:23:54,600 --> 00:23:58,080 [♪♪♪] 734 00:24:06,840 --> 00:24:09,120 [INDISTINCT CONVERSATIONS] 735 00:24:10,640 --> 00:24:12,880 AFTERNOON, DETECTIVE. 736 00:24:12,880 --> 00:24:15,760 BONJOUR, OFFICER LAFFONT. 737 00:24:12,880 --> 00:24:15,760 THIS IS DETECTIVE HICKMAN. 738 00:24:19,040 --> 00:24:20,520 ARE THE NEIGHBOURS 739 00:24:19,040 --> 00:24:20,520 GIVING YOU A HARD TIME? 740 00:24:20,520 --> 00:24:22,400 I CAN'T REALLY 741 00:24:20,520 --> 00:24:22,400 BLAME THEM. 742 00:24:22,400 --> 00:24:23,720 THEY JUST WANT TO 743 00:24:22,400 --> 00:24:23,720 USE THEIR PARK. 744 00:24:23,720 --> 00:24:25,480 YEAH. WE'LL TRY TO 745 00:24:23,720 --> 00:24:25,480 FINISH UP BY TODAY, OKAY. 746 00:24:25,480 --> 00:24:26,800 IS IT TRUE, MA'AM? 747 00:24:26,800 --> 00:24:28,520 COMMISSAIRE LAVEAUX 748 00:24:26,800 --> 00:24:28,520 OF THE CRIME SQUAD 749 00:24:28,520 --> 00:24:30,640 IS CALLING HIM ANOTHER RIPPER, 750 00:24:28,520 --> 00:24:30,640 LIKE THE ONE IN LONDON. 751 00:24:30,640 --> 00:24:32,040 THERE'S A DIFFERENCE. 752 00:24:32,040 --> 00:24:33,800 THIS ONE'S GONNA BE CAUGHT. 753 00:24:33,800 --> 00:24:37,360 MERCI. SHALL WE? 754 00:24:44,480 --> 00:24:46,560 IS THAT A COMPASS ROSE? 755 00:24:47,520 --> 00:24:49,440 MIND YOUR BUSINESS. 756 00:24:49,440 --> 00:24:51,640 OH, IT'S SOMETHING 757 00:24:49,440 --> 00:24:51,640 YOU WANT TO HIDE? 758 00:24:52,800 --> 00:24:56,480 WHY GET A TATTOO 759 00:24:52,800 --> 00:24:56,480 YOU NEED TO HIDE? 760 00:24:56,480 --> 00:24:58,560 YOU INTERROGATING ME? 761 00:25:02,200 --> 00:25:04,360 I'M READY. 762 00:25:05,920 --> 00:25:09,200 WE'LL FINISH 763 00:25:05,920 --> 00:25:09,200 THIS LATER. 764 00:25:09,200 --> 00:25:11,320 NO. WE WON'T. 765 00:25:11,320 --> 00:25:13,920 DO YOU REALLY THINK 766 00:25:11,320 --> 00:25:13,920 WE'LL CATCH THIS RIPPER? 767 00:25:13,920 --> 00:25:15,720 DON'T CALL HIM THAT. 768 00:25:15,720 --> 00:25:17,600 JACK THE RIPPER 769 00:25:15,720 --> 00:25:17,600 KILLED FIVE WOMEN 770 00:25:17,600 --> 00:25:19,480 IN FIVE COMPLETELY 771 00:25:17,600 --> 00:25:19,480 DIFFERENT LOCATIONS. 772 00:25:19,480 --> 00:25:23,600 EVERY SCENE WAS MORE BRUTAL 773 00:25:19,480 --> 00:25:23,600 THAN THE LAST. 774 00:25:24,720 --> 00:25:28,240 HE TOOK PRIZES, BODY PARTS. 775 00:25:28,240 --> 00:25:29,640 EVERYTHING FOR HIM 776 00:25:28,240 --> 00:25:29,640 WAS POST-KILL. 777 00:25:29,640 --> 00:25:31,280 THIS GUY 778 00:25:31,280 --> 00:25:33,240 DOES THE SAME THING EVERY TIME, 779 00:25:31,280 --> 00:25:33,240 IN THE SAME TYPE OF PLACE. 780 00:25:33,240 --> 00:25:36,760 HE SEEMS TO HAVE 781 00:25:33,240 --> 00:25:36,760 SOME SORT OF RITUAL 782 00:25:36,760 --> 00:25:39,320 THAT PLAYS OUT 783 00:25:36,760 --> 00:25:39,320 BEFORE THE MURDER. 784 00:25:39,320 --> 00:25:41,040 EVERYTHING AFTER 785 00:25:41,040 --> 00:25:42,640 IS TO CONCEAL 786 00:25:41,040 --> 00:25:42,640 THE CRIME. 787 00:25:42,640 --> 00:25:45,360 THEY COULDN'T BE 788 00:25:42,640 --> 00:25:45,360 MORE DIFFERENT. 789 00:25:49,520 --> 00:25:51,440 NO APPARENT SIGNS 790 00:25:49,520 --> 00:25:51,440 OF A STRUGGLE. 791 00:25:54,040 --> 00:25:55,640 NO OBVIOUS DRAG MARKS. 792 00:25:55,640 --> 00:25:57,640 ANY IDEA HOW 793 00:25:55,640 --> 00:25:57,640 HE GOT HER HERE? 794 00:25:57,640 --> 00:26:00,280 NO VEHICLE TRACKS, 795 00:25:57,640 --> 00:26:00,280 IF THAT'S WHAT YOU MEAN. 796 00:26:00,280 --> 00:26:02,600 THAT'S WHAT I MEAN. 797 00:26:00,280 --> 00:26:02,600 FOOTPRINTS? 798 00:26:02,600 --> 00:26:04,080 THIS PARK 799 00:26:02,600 --> 00:26:04,080 IS VERY WELL-TRAVELLED. 800 00:26:04,080 --> 00:26:06,480 WE EVEN TRIED FOCUSING 801 00:26:04,080 --> 00:26:06,480 ON ONLY THE BAREFOOT PRINTS, 802 00:26:06,480 --> 00:26:07,920 BUT THERE ARE JUST TOO MANY. 803 00:26:09,600 --> 00:26:11,160 WHAT'S THAT? 804 00:26:11,160 --> 00:26:15,000 IT'S A VARIATION ON 805 00:26:11,160 --> 00:26:15,000 A VIRTUAL AUTOPSY DEVICE. 806 00:26:15,000 --> 00:26:17,800 IT USES 807 00:26:15,000 --> 00:26:17,800 LIGHT-AMPLIFICATION BEAMS 808 00:26:17,800 --> 00:26:20,600 TO SCAN A SCENE 809 00:26:17,800 --> 00:26:20,600 THOUSANDS OF TIMES 810 00:26:20,600 --> 00:26:23,360 SO WE CAN RECREATE IT 811 00:26:20,600 --> 00:26:23,360 LATER, HOLOGRAPHICALLY. 812 00:26:23,360 --> 00:26:25,480 I CALL IT "SCANGEN," 813 00:26:25,480 --> 00:26:28,280 BECAUSE IT, WELL, 814 00:26:25,480 --> 00:26:28,280 IT GENERATES SCANS. 815 00:26:30,360 --> 00:26:31,440 DO YOU NEED HELP 816 00:26:30,360 --> 00:26:31,440 SETTING UP? 817 00:26:31,440 --> 00:26:33,040 NO, I'M GOOD. THANKS. 818 00:26:33,040 --> 00:26:35,880 [♪♪♪] 819 00:26:48,120 --> 00:26:51,280 THIS GUY 820 00:26:48,120 --> 00:26:51,280 IS VERY SHORT. 821 00:26:51,280 --> 00:26:53,120 MAYBE 5'5", 822 00:26:51,280 --> 00:26:53,120 AT THE MOST. 823 00:26:53,120 --> 00:26:54,240 HOW DO YOU KNOW THAT? 824 00:26:55,560 --> 00:26:57,760 SEE THE BLOOD SPLATTER 825 00:26:55,560 --> 00:26:57,760 FROM THE KNIFE 826 00:26:57,760 --> 00:26:59,840 ON THE BOTTOM 827 00:26:57,760 --> 00:26:59,840 OF THE LEAVES? 828 00:26:59,840 --> 00:27:01,880 YEAH? 829 00:27:03,000 --> 00:27:06,160 THAT'S THE UPSTROKE. 830 00:27:03,000 --> 00:27:06,160 GOES WAY UP THERE, RIGHT? 831 00:27:06,160 --> 00:27:07,920 BUT NOW LOOK AT 832 00:27:06,160 --> 00:27:07,920 THE TOPS OF THE LEAVES. 833 00:27:09,320 --> 00:27:11,240 THE SPLATTER 834 00:27:09,320 --> 00:27:11,240 FROM THE DOWNSTROKE 835 00:27:11,240 --> 00:27:12,880 IS AT SIX-FEET OR BELOW. 836 00:27:12,880 --> 00:27:14,840 A MAN WITH HIS ARM 837 00:27:12,880 --> 00:27:14,840 RAISED ABOVE HEAD 838 00:27:14,840 --> 00:27:17,440 USUALLY PICKS UP THE LENGTH OF 839 00:27:14,840 --> 00:27:17,440 HIS LOWER ARM IN HEIGHT. 840 00:27:17,440 --> 00:27:18,480 MY HEIGHT... 841 00:27:18,480 --> 00:27:20,600 HIS HEIGHT. 842 00:27:20,600 --> 00:27:23,520 [♪♪♪] 843 00:27:25,200 --> 00:27:27,720 HE'S NO MORE 844 00:27:25,200 --> 00:27:27,720 THAN 5'5". 845 00:27:27,720 --> 00:27:29,760 OR EVEN LESS. 846 00:27:29,760 --> 00:27:31,800 STABBING SOMEONE 847 00:27:29,760 --> 00:27:31,800 AS HARD AS HE DID, 848 00:27:31,800 --> 00:27:33,240 THE ADRENALINE 849 00:27:31,800 --> 00:27:33,240 PUFFS YOU UP, 850 00:27:33,240 --> 00:27:34,880 GETS YOU UP 851 00:27:33,240 --> 00:27:34,880 ON YOUR TOES. 852 00:27:34,880 --> 00:27:37,360 NOW, WHAT DOES THIS NEW FACT 853 00:27:34,880 --> 00:27:37,360 TELL YOU THAT YOU DIDN'T KNOW? 854 00:27:37,360 --> 00:27:39,120 SMALL FEET. 855 00:27:39,120 --> 00:27:40,640 SMALL FEET. YEAH. 856 00:27:40,640 --> 00:27:43,560 LET'S SEE 857 00:27:40,640 --> 00:27:43,560 IF WE CAN FIND THAT TRAIL. 858 00:27:43,560 --> 00:27:46,200 [♪♪♪] 859 00:27:51,280 --> 00:27:53,760 [TELEPHONE RINGING] 860 00:27:58,760 --> 00:28:00,320 [REBECCA'S VOICE ON MACHINE]: 861 00:27:58,760 --> 00:28:00,320 HELLO. 862 00:28:00,320 --> 00:28:01,920 THIS IS THE DANIEL FAMILY. 863 00:28:01,920 --> 00:28:04,680 PLEASE LEAVE A MESSAGE 864 00:28:01,920 --> 00:28:04,680 AFTER THE BEEP. 865 00:28:04,680 --> 00:28:05,760 [MACHINE BEEPS] 866 00:28:05,760 --> 00:28:08,480 [LOUIS]: 867 00:28:05,760 --> 00:28:08,480 REBECCA, IT'S ME AGAIN. 868 00:28:08,480 --> 00:28:10,480 PLEASE... 869 00:28:10,480 --> 00:28:12,840 I JUST WANT TO TALK. 870 00:28:12,840 --> 00:28:15,320 [FOOTSTEPS] 871 00:28:18,120 --> 00:28:19,160 ARE YOU READY, SIR? 872 00:28:19,160 --> 00:28:21,240 YES. I'M READY. 873 00:28:22,160 --> 00:28:26,360 [♪♪♪] 874 00:28:26,360 --> 00:28:28,040 SCANNING. 875 00:28:28,040 --> 00:28:30,040 [SCANGEN WHIRS] 876 00:28:30,040 --> 00:28:33,960 [♪♪♪] 877 00:28:36,640 --> 00:28:38,520 TWO SETS GOING NORTH. 878 00:28:38,520 --> 00:28:41,240 ONE BAREFOOT... 879 00:28:41,240 --> 00:28:43,040 AND ONE WEARING SMALL BOOTS 880 00:28:41,240 --> 00:28:43,040 OR WORK SHOES. 881 00:28:43,040 --> 00:28:43,920 THE STRIDES ARE FAIRLY LONG. 882 00:28:43,920 --> 00:28:44,880 THEY WERE RUNNING. 883 00:28:44,880 --> 00:28:46,760 WELL, HE WAS CHASING HER. 884 00:28:46,760 --> 00:28:49,120 THEN, JUST THIS SET 885 00:28:46,760 --> 00:28:49,120 OF SMALL TRACKS 886 00:28:49,120 --> 00:28:50,680 GOES BACK SOUTH. 887 00:28:52,080 --> 00:28:53,600 HICKMAN. 888 00:28:53,600 --> 00:28:55,640 LOOK. THERE'S BLOOD, TOO. 889 00:28:55,640 --> 00:28:58,960 SHE WAS ALREADY BLEEDING 890 00:28:55,640 --> 00:28:58,960 WHEN HE WAS CHASING HER? 891 00:29:00,720 --> 00:29:02,600 JUST A LITTLE BIT OF BLOOD. 892 00:29:02,600 --> 00:29:04,160 MAYBE HE ATTACKED HER 893 00:29:02,600 --> 00:29:04,160 SOMEWHERE ELSE, AND SHE ESCAPED. 894 00:29:04,160 --> 00:29:06,400 A SECONDARY CRIME SCENE 895 00:29:04,160 --> 00:29:06,400 WOULD BE VALUABLE. 896 00:29:08,480 --> 00:29:10,440 OH, HOLD ON. LOOK. LOOK. 897 00:29:11,440 --> 00:29:12,800 YEAH. 898 00:29:12,800 --> 00:29:15,000 WHY DO HIS RETURN TRACKS 899 00:29:12,800 --> 00:29:15,000 CRISS-CROSS LIKE THAT? 900 00:29:15,000 --> 00:29:18,400 LOOKS LIKE HE WAS LOST 901 00:29:15,000 --> 00:29:18,400 AFTER HE KILLED HER. 902 00:29:18,400 --> 00:29:20,480 OR LOOKING FOR SOMETHING. 903 00:29:20,480 --> 00:29:22,040 SOMETHING IMPORTANT ENOUGH 904 00:29:22,040 --> 00:29:24,280 TO TAKE THE CHANCE OF BEING 905 00:29:22,040 --> 00:29:24,280 DISCOVERED WITH A DEAD BODY 906 00:29:24,280 --> 00:29:25,760 IN THE CLEARING. 907 00:29:25,760 --> 00:29:27,200 IMPORTANT ENOUGH TO LOOK FOR, 908 00:29:25,760 --> 00:29:27,200 INSTEAD OF ESCAPING. 909 00:29:27,200 --> 00:29:28,840 EVIDENCE. 910 00:29:28,840 --> 00:29:31,040 [♪♪♪] 911 00:29:31,040 --> 00:29:33,360 THERE ARE MULTIPLE 912 00:29:31,040 --> 00:29:33,360 DEEP LACERATIONS 913 00:29:33,360 --> 00:29:35,200 FROM A LARGE BLADED WEAPON, 914 00:29:35,200 --> 00:29:37,240 ANY OF WHICH 915 00:29:35,200 --> 00:29:37,240 MAY HAVE BEEN LETHAL. 916 00:29:37,240 --> 00:29:39,240 WAS SHE DEAD 917 00:29:37,240 --> 00:29:39,240 WHEN HER FACE WAS DAMAGED? 918 00:29:39,240 --> 00:29:41,000 OH, PROBABLY. 919 00:29:41,000 --> 00:29:42,640 THE ANGLE OF THOSE WOUNDS 920 00:29:41,000 --> 00:29:42,640 INDICATE SHE WAS ALREADY PRONE. 921 00:29:42,640 --> 00:29:44,440 THANK GOD FOR THAT. 922 00:29:44,440 --> 00:29:45,480 [CORONER]: 923 00:29:44,440 --> 00:29:45,480 IT'S TREMENDOUS OVERKILL. 924 00:29:45,480 --> 00:29:47,240 LOOKS VERY ANGRY. 925 00:29:47,240 --> 00:29:48,640 BUT ALSO METHODICAL. 926 00:29:48,640 --> 00:29:49,880 AT KEY POINTS, 927 00:29:49,880 --> 00:29:51,600 THERE ARE SHALLOW 928 00:29:49,880 --> 00:29:51,600 PUNCTURE WOUNDS-- 929 00:29:51,600 --> 00:29:54,600 AT THE WRIST, 930 00:29:51,600 --> 00:29:54,600 IN HER INNER THIGHS... 931 00:29:54,600 --> 00:29:55,720 ON ARTERIES. 932 00:29:55,720 --> 00:29:57,600 HE CUT HER WRISTS? 933 00:29:57,600 --> 00:29:59,040 AH, HE PUNCTURED THEM. 934 00:29:59,040 --> 00:30:01,200 SHE BLED, 935 00:29:59,040 --> 00:30:01,200 BUT NOT QUICKLY. 936 00:30:01,200 --> 00:30:03,360 IT WOULD BE A... 937 00:30:01,200 --> 00:30:03,360 A STEADY OOZE. 938 00:30:03,360 --> 00:30:06,040 AND THESE APPEAR TO HAVE BEEN 939 00:30:03,360 --> 00:30:06,040 THE FIRST WOUNDS MADE. 940 00:30:06,040 --> 00:30:08,560 WHY WOULD HE DO THAT? 941 00:30:08,560 --> 00:30:10,640 TO WEAKEN HER. 942 00:30:11,560 --> 00:30:13,440 LIKE A JAB FOR A FIGHTER. 943 00:30:13,440 --> 00:30:14,800 BLOODY HIM UP FIRST 944 00:30:14,800 --> 00:30:17,400 BEFORE YOU GET IN CLOSE 945 00:30:14,800 --> 00:30:17,400 AND FINISH HIM OFF. 946 00:30:18,480 --> 00:30:19,840 EXCUSE ME. 947 00:30:22,480 --> 00:30:25,200 HOW LONG HAVE YOU BEEN 948 00:30:22,480 --> 00:30:25,200 A DETECTIVE IN PARIS? 949 00:30:25,200 --> 00:30:27,120 I'M NOT. 950 00:30:27,120 --> 00:30:29,360 I WORK MAINLY 951 00:30:29,360 --> 00:30:32,040 ON BORDER CRIMES 952 00:30:29,360 --> 00:30:32,040 OUT OF OFFICES IN LYON. 953 00:30:32,040 --> 00:30:34,360 IT WAS MAJOR DANIEL 954 00:30:32,040 --> 00:30:34,360 WHO BROUGHT ME HERE. 955 00:30:34,360 --> 00:30:36,160 REALLY? 956 00:30:36,160 --> 00:30:37,480 THAT SURPRISES YOU? 957 00:30:37,480 --> 00:30:38,880 WE'VE TALKED 958 00:30:38,880 --> 00:30:40,720 TO TWO PARISIAN POLICE OFFICERS 959 00:30:38,880 --> 00:30:40,720 SINCE WE ARRIVED, 960 00:30:40,720 --> 00:30:42,120 NEITHER OF THEM HAD NAMETAGS, 961 00:30:42,120 --> 00:30:44,040 YET YOU CALLED THEM BOTH 962 00:30:42,120 --> 00:30:44,040 BY NAME. 963 00:30:44,040 --> 00:30:47,080 OH, THAT'S... 964 00:30:44,040 --> 00:30:47,080 THAT'S SOMETHING I HAVE. 965 00:30:47,080 --> 00:30:48,880 I REMEMBER. 966 00:30:48,880 --> 00:30:50,040 YOU'RE EIDETIC? 967 00:30:51,720 --> 00:30:52,800 UH.... 968 00:30:52,800 --> 00:30:56,040 MY DOCTORS CALL IT 969 00:30:52,800 --> 00:30:56,040 HYPERTHYMESIA. 970 00:30:57,000 --> 00:30:58,200 DOCTORS? 971 00:30:58,200 --> 00:31:00,760 YEAH. MY MOTHER'S A PHYSICIAN. 972 00:31:00,760 --> 00:31:01,880 AH. 973 00:31:01,880 --> 00:31:03,080 WHEN I WAS A CHILD, 974 00:31:03,080 --> 00:31:05,280 SHE THOUGHT 975 00:31:03,080 --> 00:31:05,280 I MIGHT BE AUTISTIC, 976 00:31:05,280 --> 00:31:07,160 SO SHE HAD AN MRI 977 00:31:05,280 --> 00:31:07,160 DONE OF MY BRAIN, 978 00:31:07,160 --> 00:31:09,200 AND THEY FOUND 979 00:31:07,160 --> 00:31:09,200 AN ENLARGED TEMPORAL LOBE 980 00:31:09,200 --> 00:31:10,360 AND CAUDATE NUCLEUS. 981 00:31:11,400 --> 00:31:13,160 THAT'S A MOUTHFUL. 982 00:31:16,280 --> 00:31:19,760 IT'S FOUND IN PEOPLE 983 00:31:16,280 --> 00:31:19,760 WITH O.C.D. 984 00:31:19,760 --> 00:31:20,760 [PHONE RINGS] 985 00:31:20,760 --> 00:31:21,960 SORRY. 986 00:31:23,200 --> 00:31:24,960 ANNE-MARIE SAN. 987 00:31:26,520 --> 00:31:29,160 THAT WOULD MAKE SENSE 988 00:31:26,520 --> 00:31:29,160 WITH WHAT WE'RE FINDING HERE. 989 00:31:29,160 --> 00:31:30,760 YEAH. WE'RE HERE. 990 00:31:30,760 --> 00:31:32,400 THAT WAS SIENNA. 991 00:31:32,400 --> 00:31:33,560 THE CORONER SAYS 992 00:31:33,560 --> 00:31:34,880 HE MIGHT HAVE 993 00:31:33,560 --> 00:31:34,880 WOUNDED HER FIRST. 994 00:31:34,880 --> 00:31:36,440 SOME ARTERIES 995 00:31:34,880 --> 00:31:36,440 WERE NICKED. 996 00:31:36,440 --> 00:31:39,200 STARTED HER BLEEDING, 997 00:31:36,440 --> 00:31:39,200 AND THEN... 998 00:31:39,200 --> 00:31:40,200 THEN LET HER RUN. 999 00:31:40,200 --> 00:31:41,680 SON OF A BITCH HUNTED HER. 1000 00:31:43,440 --> 00:31:44,760 HE'S A SADIST. 1001 00:31:44,760 --> 00:31:48,760 SHE WAS DEAD 1002 00:31:44,760 --> 00:31:48,760 THE MOMENT SHE SHOWED HIM FEAR. 1003 00:31:49,920 --> 00:31:51,360 IS THERE 1004 00:31:49,920 --> 00:31:51,360 SOMETHING ELSE? 1005 00:31:51,360 --> 00:31:53,040 IT'S JUST A BIT ODD 1006 00:31:53,040 --> 00:31:55,080 FOR A SADIST TO PUT ON A SHOW 1007 00:31:53,040 --> 00:31:55,080 LIKE THIS. 1008 00:31:55,080 --> 00:31:56,480 THEY'RE USUALLY... 1009 00:31:56,480 --> 00:31:59,480 USUALLY A BIT MORE... 1010 00:31:59,480 --> 00:32:02,120 PRIVATE. 1011 00:32:05,760 --> 00:32:06,880 LOOK. 1012 00:32:06,880 --> 00:32:10,640 SHE HAD ONE SHOE ON... 1013 00:32:10,640 --> 00:32:13,040 WHEN SHE GOT TO THIS ROOT, 1014 00:32:13,040 --> 00:32:14,720 AND THEN SHE WAS BAREFOOT. 1015 00:32:15,680 --> 00:32:17,720 SHE LOST A SHOE. 1016 00:32:17,720 --> 00:32:19,160 [THUD] 1017 00:32:19,160 --> 00:32:21,040 [WHIMPERS] 1018 00:32:22,040 --> 00:32:23,200 BUT IT'S NOT HERE. 1019 00:32:23,200 --> 00:32:24,600 LOOK AT HER TRACKS. 1020 00:32:24,600 --> 00:32:25,640 HE FOUND IT. 1021 00:32:25,640 --> 00:32:26,800 HE WAS LOOKING FOR HER SHOES? 1022 00:32:26,800 --> 00:32:30,240 HE FOUND ONE, 1023 00:32:26,800 --> 00:32:30,240 MAYBE NOT THE OTHER. 1024 00:32:30,240 --> 00:32:33,040 MAYBE NOT THE OTHER. 1025 00:32:37,040 --> 00:32:39,120 JUST NEEDED SOME WATER. 1026 00:32:40,720 --> 00:32:44,240 IT'S NOT THE BLOOD 1027 00:32:40,720 --> 00:32:44,240 OR THE DAMAGE, 1028 00:32:44,240 --> 00:32:47,840 IT'S THE SMELL IN 1029 00:32:44,240 --> 00:32:47,840 THESE PLACES, YOU KNOW? 1030 00:32:47,840 --> 00:32:50,200 YOU NEVER HEAR OF 1031 00:32:47,840 --> 00:32:50,200 OLFACTORY FATIGUE? 1032 00:32:52,040 --> 00:32:54,760 TAKE A COUPLE DEEP BREATHS. 1033 00:32:52,040 --> 00:32:54,760 YOU WON'T NOTICE IT SOON ENOUGH. 1034 00:32:54,760 --> 00:32:57,120 I'M SAYING 1035 00:32:54,760 --> 00:32:57,120 THE SMELL BOTHERS ME, 1036 00:32:57,120 --> 00:32:58,760 YOU'RE SAYING 1037 00:32:57,120 --> 00:32:58,760 SUCK UP MORE OF IT? 1038 00:32:58,760 --> 00:32:59,840 IT WORKS. 1039 00:32:59,840 --> 00:33:01,040 IT'S SHITE. 1040 00:33:01,040 --> 00:33:02,840 WHAT, GROWING UP 1041 00:33:01,040 --> 00:33:02,840 IN A TRAVELLER CAMPS, 1042 00:33:02,840 --> 00:33:04,080 YOU NEVER GOT USED TO 1043 00:33:02,840 --> 00:33:04,080 BAD SMELLS? 1044 00:33:04,080 --> 00:33:05,760 I MEAN, THAT'S 1045 00:33:04,080 --> 00:33:05,760 THE TATTOO, RIGHT? 1046 00:33:05,760 --> 00:33:07,280 THE COMPASS ROSE? 1047 00:33:07,280 --> 00:33:08,440 YOU'RE AN IRISH TRAVELLER. 1048 00:33:07,280 --> 00:33:08,440 YOUR FAMILY ARE CRIMINALS. 1049 00:33:08,440 --> 00:33:10,280 WOW. 1050 00:33:10,280 --> 00:33:11,680 WE'RE SHOWING 1051 00:33:10,280 --> 00:33:11,680 OUR TRUE COLOURS NOW, 1052 00:33:11,680 --> 00:33:12,960 AREN'T WE? 1053 00:33:14,000 --> 00:33:15,560 INSPECTOR PRIDE. 1054 00:33:17,680 --> 00:33:19,880 [♪♪♪] 1055 00:33:24,000 --> 00:33:26,960 [♪♪♪] 1056 00:33:43,880 --> 00:33:46,200 [♪♪♪] 1057 00:33:47,200 --> 00:33:50,040 WHAT HAVE YOU DONE? 1058 00:33:50,040 --> 00:33:54,120 [SOBS]: 1059 00:33:50,040 --> 00:33:54,120 WHAT HAVE YOU DONE? 1060 00:33:54,120 --> 00:33:56,600 [CRYING OUT] 1061 00:33:58,520 --> 00:34:01,720 [♪♪♪] 1062 00:34:01,720 --> 00:34:04,320 [FAINTLY]: MAJOR? 1063 00:34:05,800 --> 00:34:07,800 MAJOR DANIEL? 1064 00:34:09,440 --> 00:34:11,640 [♪♪♪] 1065 00:34:11,640 --> 00:34:13,120 MAJOR DANIEL? 1066 00:34:13,120 --> 00:34:14,160 MAJOR DANIEL? 1067 00:34:14,160 --> 00:34:15,360 YOU OKAY? 1068 00:34:15,360 --> 00:34:17,600 Y-YEAH. 1069 00:34:17,600 --> 00:34:19,640 [CHUCKLES AWKWARDLY] 1070 00:34:19,640 --> 00:34:21,080 YOU SURE? 1071 00:34:21,080 --> 00:34:23,360 YES, I'M FINE NOW. 1072 00:34:23,360 --> 00:34:26,040 OKAY. 1073 00:34:28,800 --> 00:34:31,160 SHE HAD ON BOTH SHOES HERE. 1074 00:34:31,160 --> 00:34:32,680 LOOK. 1075 00:34:32,680 --> 00:34:34,160 ONE SHOE HERE. 1076 00:34:34,160 --> 00:34:35,800 [VICTIM CRIES OUT] 1077 00:34:35,800 --> 00:34:38,480 OKAY... THIS-- THIS-- 1078 00:34:38,480 --> 00:34:39,720 AH! 1079 00:34:39,720 --> 00:34:40,800 HICKMAN! ARE YOU OKAY? 1080 00:34:40,800 --> 00:34:42,880 OH, GOD! [WINCES] 1081 00:34:42,880 --> 00:34:44,320 HICKMAN-- 1082 00:34:44,320 --> 00:34:45,360 [STEADYING HIMSELF] 1083 00:34:45,360 --> 00:34:46,760 [QUIET, IN PAIN]: I'M FINE. 1084 00:34:46,760 --> 00:34:48,040 LET'S JUST LOOK. 1085 00:34:48,040 --> 00:34:50,400 [FRUSTRATED PANTING] 1086 00:34:50,400 --> 00:34:53,520 IT'S OKAY! IT'S OKAY. 1087 00:34:50,400 --> 00:34:53,520 I'LL-- I'LL DO IT. 1088 00:34:59,720 --> 00:35:01,320 OH, WAIT. 1089 00:35:01,320 --> 00:35:02,960 [♪♪♪] 1090 00:35:13,080 --> 00:35:14,800 IT SAYS, UH... 1091 00:35:15,680 --> 00:35:17,360 "C.G." 1092 00:35:17,360 --> 00:35:18,720 "CHARLES GALLANT." 1093 00:35:18,720 --> 00:35:21,280 A PAIR OF SHOES COSTS 1094 00:35:18,720 --> 00:35:21,280 MORE THAN 1,500 POUNDS. 1095 00:35:21,280 --> 00:35:23,360 THAT'S ALMOST 2,000 EUROS. 1096 00:35:23,360 --> 00:35:26,360 IF SHE IS A PRO, 1097 00:35:23,360 --> 00:35:26,360 SHE'S A GOOD ONE. 1098 00:35:26,360 --> 00:35:27,960 [♪♪♪] 1099 00:35:30,920 --> 00:35:32,880 FIRST PIECE OF ACTUAL EVIDENCE 1100 00:35:30,920 --> 00:35:32,880 HE'S LEFT BEHIND. 1101 00:35:32,880 --> 00:35:34,440 HARD TO BELIEVE WE'RE 1102 00:35:32,880 --> 00:35:34,440 LOOKING AT WEALTHY VICTIMS. 1103 00:35:34,440 --> 00:35:36,560 -WHO NO ONE'S LOOKING FOR? 1104 00:35:34,440 --> 00:35:36,560 -EXACTLY. 1105 00:35:36,560 --> 00:35:38,320 YOU KNOW WHAT? 1106 00:35:36,560 --> 00:35:38,320 IT'S ODD. 1107 00:35:39,520 --> 00:35:41,480 IT'S ACTUALLY 1108 00:35:39,520 --> 00:35:41,480 A VERY OLD STYLE. 1109 00:35:41,480 --> 00:35:42,880 INSPECTOR PRIDE HAS 1110 00:35:41,480 --> 00:35:42,880 A FASHION CRITICISM 1111 00:35:42,880 --> 00:35:44,280 FOR THE VICTIM. 1112 00:35:44,280 --> 00:35:45,640 -WHAT DO YOU MEAN BY "OLD"? 1113 00:35:44,280 --> 00:35:45,640 -IT LOOKS VINTAGE. 1114 00:35:45,640 --> 00:35:47,640 IT'S UNUSUAL 1115 00:35:45,640 --> 00:35:47,640 FOR CHARLES GALLANT. 1116 00:35:47,640 --> 00:35:50,320 DO YOU THINK 1117 00:35:47,640 --> 00:35:50,320 HE SELLS A LOT OF THESE? 1118 00:35:50,320 --> 00:35:52,280 I DON'T KNOW MANY PEOPLE 1119 00:35:50,320 --> 00:35:52,280 WHO CAN AFFORD THEM. 1120 00:35:52,280 --> 00:35:54,160 DON'T. 1121 00:35:54,160 --> 00:35:55,480 [ANNE-MARIE]: 1122 00:35:54,160 --> 00:35:55,480 IF I SOLD SHOES LIKE THESE, 1123 00:35:55,480 --> 00:35:56,800 I'D WANT TO KEEP TRACK 1124 00:35:55,480 --> 00:35:56,800 OF WHO BOUGHT THEM, 1125 00:35:56,800 --> 00:35:58,040 SO I COULD SELL THEM MORE. 1126 00:35:58,040 --> 00:35:59,760 WHICH MEANS A DATABASE. 1127 00:35:59,760 --> 00:36:00,960 THE MAIN DEALER'S 1128 00:35:59,760 --> 00:36:00,960 HERE IN PARIS. 1129 00:36:02,200 --> 00:36:03,400 I'LL MAKE A CALL. 1130 00:36:09,400 --> 00:36:13,040 [♪♪♪] 1131 00:36:13,040 --> 00:36:14,800 THANK YOU. 1132 00:36:13,040 --> 00:36:14,800 WE'LL BE RIGHT THERE. 1133 00:36:14,800 --> 00:36:16,360 [♪♪♪] 1134 00:36:16,360 --> 00:36:19,200 SO, NOT ONLY DO THEY KEEP TRACK 1135 00:36:16,360 --> 00:36:19,200 OF THEIR CUSTOMER BASE, 1136 00:36:19,200 --> 00:36:20,560 BUT THE SHOES ARE HANDMADE. 1137 00:36:20,560 --> 00:36:22,520 THERE'S A SERIAL NUMBER 1138 00:36:20,560 --> 00:36:22,520 IN THE SOLE OF EACH SHOE, 1139 00:36:22,520 --> 00:36:24,040 THAT CORRESPONDS 1140 00:36:22,520 --> 00:36:24,040 TO THE CUSTOMER. 1141 00:36:24,040 --> 00:36:25,160 WHICH MEANS A NAME. 1142 00:36:25,160 --> 00:36:26,440 YEAH. THE STORE'S 1143 00:36:25,160 --> 00:36:26,440 ABOUT TO CLOSE, 1144 00:36:26,440 --> 00:36:27,920 BUT THE MANAGER'S 1145 00:36:26,440 --> 00:36:27,920 WAITING FOR US. 1146 00:36:27,920 --> 00:36:30,320 LET'S GO. 1147 00:36:30,320 --> 00:36:31,880 WHAT'S THE PLAN? 1148 00:36:31,880 --> 00:36:34,400 YOU THREE WAIT FOR LOUIS 1149 00:36:31,880 --> 00:36:34,400 AT THE CRIME SCENE. WE'LL GO. 1150 00:36:34,400 --> 00:36:38,120 [♪♪♪] 1151 00:36:41,920 --> 00:36:46,040 EVA, I WANT TO APOLOGIZE 1152 00:36:41,920 --> 00:36:46,040 FOR WHAT HAPPENED IN THE TRAIN. 1153 00:36:46,040 --> 00:36:47,840 NO GOOD COP 1154 00:36:46,040 --> 00:36:47,840 CAN SLEEP WELL, SIR. 1155 00:36:47,840 --> 00:36:49,560 [CELL PHONE RINGS] 1156 00:36:49,560 --> 00:36:51,000 YEAH. MAJOR DANIEL. 1157 00:36:51,000 --> 00:36:53,600 HEY. WELL, 1158 00:36:51,000 --> 00:36:53,600 IT'S LIKE I SAID, LOUIS. 1159 00:36:53,600 --> 00:36:56,560 THEY'RE NOT HAPPY 1160 00:36:53,600 --> 00:36:56,560 WITH YOUR CHANGE IN ASSIGNMENT. 1161 00:36:56,560 --> 00:36:58,400 THE FRENCH. 1162 00:36:58,400 --> 00:36:59,480 WHICH FRENCH? 1163 00:36:59,480 --> 00:37:00,360 36. 1164 00:37:00,360 --> 00:37:02,760 LAVEAUX. THANK YOU, DORN. 1165 00:37:03,680 --> 00:37:05,600 CAN YOU GO FASTER, PLEASE? 1166 00:37:05,600 --> 00:37:07,720 IS THERE SOMETHING WRONG? 1167 00:37:07,720 --> 00:37:09,160 36 IS ANGRY. 1168 00:37:09,160 --> 00:37:10,760 WHO'S 36? 1169 00:37:10,760 --> 00:37:12,760 "THE DIRECTION REGIONALE 1170 00:37:10,760 --> 00:37:12,760 DE POLICE JUDICIAIRE DE PARIS," 1171 00:37:12,760 --> 00:37:14,440 WE CALL THEM "36" 1172 00:37:14,440 --> 00:37:16,320 BECAUSE OF THEIR 1173 00:37:14,440 --> 00:37:16,320 HEADQUARTERS' ADDRESS. 1174 00:37:16,320 --> 00:37:17,720 THEY ARE VERY TERRITORIAL. 1175 00:37:17,720 --> 00:37:19,160 WE HAVE AUTHORIZATION, THOUGH. 1176 00:37:19,160 --> 00:37:20,520 WE DO. 1177 00:37:20,520 --> 00:37:23,560 BUT THE TEAM DOESN'T, 1178 00:37:20,520 --> 00:37:23,560 AND THEY ARE IN THE PARK. 1179 00:37:23,560 --> 00:37:25,240 WHAT'S GOING ON? 1180 00:37:25,240 --> 00:37:27,360 A YOUNG BOY FOUND 1181 00:37:25,240 --> 00:37:27,360 A DEAD DOG UP THERE. 1182 00:37:27,360 --> 00:37:28,880 OH? 1183 00:37:28,880 --> 00:37:30,840 WHAT SORT OF 1184 00:37:28,880 --> 00:37:30,840 DOG WAS IT? 1185 00:37:30,840 --> 00:37:32,440 ANNE-MARIE? 1186 00:37:32,440 --> 00:37:33,640 UH, SORRY. 1187 00:37:33,640 --> 00:37:35,920 WE'RE ALMOST DONE HERE. 1188 00:37:33,640 --> 00:37:35,920 MERCI BEAUCOUP. 1189 00:37:37,640 --> 00:37:40,960 [♪♪♪] 1190 00:37:48,680 --> 00:37:50,760 SO THIS ENTIRE CRIME SCENE 1191 00:37:48,680 --> 00:37:50,760 CAN BE REPRODUCED NOW? 1192 00:37:50,760 --> 00:37:52,440 IN HOLOGRAPHIC FORM. 1193 00:37:52,440 --> 00:37:53,760 THAT'S UNBELIEVABLE. 1194 00:37:53,760 --> 00:37:56,520 WE FIRST USED IT 1195 00:37:53,760 --> 00:37:56,520 ON A CASE IN SITTENSEN, 1196 00:37:56,520 --> 00:37:57,880 NEAR HAMBURG. 1197 00:37:57,880 --> 00:38:00,240 ASIAN TRIADS KILLED 1198 00:37:57,880 --> 00:38:00,240 A NUMBER OF CIVILIANS 1199 00:38:00,240 --> 00:38:01,800 IN A CHINESE RESTAURANT, 1200 00:38:00,240 --> 00:38:01,800 A MASSACRE. 1201 00:38:01,800 --> 00:38:03,320 WE WERE ABLE TO SHOW THE JURY 1202 00:38:03,320 --> 00:38:05,560 EXACTLY WHERE EACH OF 1203 00:38:03,320 --> 00:38:05,560 THE SHOOTERS HAD BEEN STANDING, 1204 00:38:05,560 --> 00:38:06,680 AND WHO THEY ACTUALLY KILLED. 1205 00:38:06,680 --> 00:38:08,560 -THAT'S AN IMPRESSIVE TOY. 1206 00:38:06,680 --> 00:38:08,560 -YEAH. 1207 00:38:08,560 --> 00:38:10,000 WE COULD EVEN USE IT 1208 00:38:08,560 --> 00:38:10,000 TO FIND ANY EVIDENCE 1209 00:38:10,000 --> 00:38:11,120 MISSED THE FIRST TIME. 1210 00:38:11,120 --> 00:38:12,480 ARE YOU SAYING 1211 00:38:11,120 --> 00:38:12,480 WE MISSED SOMETHING? 1212 00:38:12,480 --> 00:38:13,480 NO, I MEANT-- 1213 00:38:13,480 --> 00:38:14,480 WHO ARE YOU ALL? 1214 00:38:14,480 --> 00:38:15,720 WE'RE POLICE OFFICERS WITH-- 1215 00:38:15,720 --> 00:38:17,040 SCOTLAND YARD. 1216 00:38:18,400 --> 00:38:19,960 THE KRIMINALPOLIZEI 1217 00:38:18,400 --> 00:38:19,960 FROM GERMANY. 1218 00:38:21,440 --> 00:38:23,160 AND POLICE SERVICES 1219 00:38:21,440 --> 00:38:23,160 OF NORTHERN IRELAND. 1220 00:38:23,160 --> 00:38:25,480 -WE'RE INVESTIGATING A MUR-- 1221 00:38:23,160 --> 00:38:25,480 -INVESTIGATING? 1222 00:38:25,480 --> 00:38:28,200 WHAT THE HELL ARE THREE 1223 00:38:25,480 --> 00:38:28,200 FOREIGN OFFICERS DOING 1224 00:38:28,200 --> 00:38:29,320 INSIDE A PARISIAN CRIME SCENE? 1225 00:38:29,320 --> 00:38:30,600 WELL, IT'S KIND OF 1226 00:38:29,320 --> 00:38:30,600 HARD TO EXPLAIN, 1227 00:38:30,600 --> 00:38:32,000 BUT MAJOR DANIEL 1228 00:38:30,600 --> 00:38:32,000 WILL BE ON HIS WAY TO-- 1229 00:38:32,000 --> 00:38:34,400 GOOD. HE CAN COME COLLECT YOU 1230 00:38:32,000 --> 00:38:34,400 AT HEADQUARTERS. 1231 00:38:34,400 --> 00:38:36,440 WHAT? 1232 00:38:36,440 --> 00:38:38,280 WILL HANDCUFFS BE NECESSARY? 1233 00:38:42,440 --> 00:38:44,440 [♪♪♪] 1234 00:38:44,440 --> 00:38:46,520 [EXHALES ANXIOUSLY] 1235 00:38:55,160 --> 00:38:56,760 WE'RE HERE. 1236 00:38:56,760 --> 00:38:58,480 GO AHEAD IN. 1237 00:38:56,760 --> 00:38:58,480 I NEED A MINUTE. 1238 00:38:59,920 --> 00:39:00,920 ALONE. 1239 00:39:00,920 --> 00:39:02,480 OKAY. 1240 00:39:02,480 --> 00:39:04,800 PROBABLY TAKE 'EM A FEW MINUTES 1241 00:39:02,480 --> 00:39:04,800 TO LOOK IT UP, ANYWAY. 1242 00:39:04,800 --> 00:39:06,760 I JUST-- 1243 00:39:04,800 --> 00:39:06,760 I JUST NEED A MINUTE. 1244 00:39:06,760 --> 00:39:08,960 NO TROUBLE. 1245 00:39:06,760 --> 00:39:08,960 TAKE YOUR TIME. 1246 00:39:14,400 --> 00:39:17,280 [♪♪♪] 1247 00:39:33,320 --> 00:39:36,160 [PANTS INTENSELY] 1248 00:39:37,400 --> 00:39:39,400 [INHALES SHARPLY] 1249 00:39:40,920 --> 00:39:42,880 [BREATHING STEADIES] 1250 00:39:42,880 --> 00:39:45,720 [♪♪♪] 1251 00:39:45,720 --> 00:39:47,520 [DOOR SLAM ECHOES] 1252 00:40:00,200 --> 00:40:02,440 [ECHOES, DISTORTED]: 1253 00:40:00,200 --> 00:40:02,440 HELLO? 1254 00:40:03,920 --> 00:40:06,120 ANNE-MARIE? 1255 00:40:09,560 --> 00:40:12,120 ANYBODY HERE? 1256 00:40:13,080 --> 00:40:15,320 [♪♪♪] 1257 00:40:25,480 --> 00:40:28,320 [♪♪♪] 1258 00:40:35,920 --> 00:40:38,160 AH! 1259 00:40:38,160 --> 00:40:39,960 NO! 1260 00:40:41,640 --> 00:40:43,200 [CRIES OUT]: NO! 1261 00:40:43,200 --> 00:40:45,480 NO! ANNE-MARIE! 1262 00:40:48,720 --> 00:40:50,760 ANNE-MARIE! 1263 00:40:50,760 --> 00:40:52,920 ANNE-MARIE! 1264 00:40:57,560 --> 00:41:00,840 [PANTING]: 1265 00:40:57,560 --> 00:41:00,840 WHERE'S MY PHONE? 1266 00:41:00,840 --> 00:41:02,480 WHERE'S MY PHONE? 1267 00:41:02,480 --> 00:41:04,000 [PHONE THUDS ON DASH] 1268 00:41:04,000 --> 00:41:05,880 [♪♪♪] 1269 00:41:05,880 --> 00:41:09,760 COME ON! COME ON! 1270 00:41:09,760 --> 00:41:11,600 NO! 1271 00:41:12,560 --> 00:41:14,520 PARIS EMERGENCY! 1272 00:41:14,520 --> 00:41:16,440 PARIS EMERGENCY... 1273 00:41:16,440 --> 00:41:17,480 EMERGEN-- 1274 00:41:17,480 --> 00:41:19,840 17! 17... 17. 1275 00:41:21,840 --> 00:41:24,080 KEEP IT QUIET. 1276 00:41:25,120 --> 00:41:26,920 -ARE THESE THEIR PHONES? 1277 00:41:25,120 --> 00:41:26,920 -YES, SIR. 1278 00:41:26,920 --> 00:41:28,120 COPY THEIR 1279 00:41:26,920 --> 00:41:28,120 CONTACT NAMES. 1280 00:41:28,120 --> 00:41:29,520 HOW DO YOU 1281 00:41:28,120 --> 00:41:29,520 TURN IT ON? 1282 00:41:29,520 --> 00:41:33,040 I'D REALLY RATHER 1283 00:41:29,520 --> 00:41:33,040 YOU DIDN'T. 1284 00:41:33,040 --> 00:41:35,520 I DIDN'T MEAN 1285 00:41:33,040 --> 00:41:35,520 TRAVELLER CAMPS SMELL. 1286 00:41:35,520 --> 00:41:37,720 I ONLY MEANT THAT 1287 00:41:35,520 --> 00:41:37,720 YOU LIVING LIKE THAT, 1288 00:41:37,720 --> 00:41:39,920 LIVING IN A CAMP WITH 1289 00:41:37,720 --> 00:41:39,920 A LOT OF OTHER FAMILIES, 1290 00:41:39,920 --> 00:41:41,480 YOU MUST'VE... 1291 00:41:41,480 --> 00:41:42,800 COME ACROSS 1292 00:41:42,800 --> 00:41:44,760 BAD SMELLS. 1293 00:41:44,760 --> 00:41:46,680 IS THIS AN APOLOGY? 1294 00:41:46,680 --> 00:41:48,880 IT'S MEANT TO BE. 1295 00:41:48,880 --> 00:41:52,560 YOU'RE AN ONLY CHILD, RIGHT? 1296 00:41:52,560 --> 00:41:55,040 PARENTS LIKE YOURS, 1297 00:41:55,040 --> 00:41:56,800 A SOLICITOR AND AN MP, 1298 00:41:56,800 --> 00:41:58,400 THEY DON'T GO IN 1299 00:41:56,800 --> 00:41:58,400 FOR A MESS OF KIDS. 1300 00:41:58,400 --> 00:42:00,120 WHAT'S YOUR POINT? 1301 00:42:00,120 --> 00:42:01,600 YOU'RE A CLICHE. 1302 00:42:01,600 --> 00:42:04,560 I'M PROUD 1303 00:42:01,600 --> 00:42:04,560 I GREW UP PAVEE. 1304 00:42:04,560 --> 00:42:07,760 FOUR BROTHERS AND THREE SISTERS, 1305 00:42:07,760 --> 00:42:09,560 AND WE DIDN'T HAVE SHITE... 1306 00:42:11,000 --> 00:42:13,040 BUT WE HAD A FAMILY. 1307 00:42:13,040 --> 00:42:16,320 NO! [POUNDS] 1308 00:42:13,040 --> 00:42:16,320 DON'T PRESS THAT BUTTON! 1309 00:42:16,320 --> 00:42:17,800 I HAVEN'T DOWNLOADED 1310 00:42:16,320 --> 00:42:17,800 THE IMAGES FROM THE PARK YET. 1311 00:42:17,800 --> 00:42:20,200 IMAGES? 1312 00:42:17,800 --> 00:42:20,200 FROM MY CRIME SCENE? 1313 00:42:20,200 --> 00:42:21,240 YOUR CRIME SCENE? 1314 00:42:21,240 --> 00:42:22,720 -TOMMY. 1315 00:42:21,240 --> 00:42:22,720 -HIS CRIME SCENE? 1316 00:42:22,720 --> 00:42:24,840 THEY MISSED THE WOUNDS 1317 00:42:22,720 --> 00:42:24,840 ON THE WRISTS AND THIGHS-- 1318 00:42:24,840 --> 00:42:25,840 WHAT? 1319 00:42:25,840 --> 00:42:27,400 THEY MISSED 1320 00:42:27,400 --> 00:42:29,280 THE BLOOD SPATTERS IN THE TREES, 1321 00:42:27,400 --> 00:42:29,280 AND THEY MISSED THE SHOE! 1322 00:42:29,280 --> 00:42:31,400 -SHOE? 1323 00:42:29,280 --> 00:42:31,400 -MAJOR DANIEL CAN EXPLAIN. 1324 00:42:31,400 --> 00:42:32,800 MAJOR DANIEL? 1325 00:42:32,800 --> 00:42:34,320 HE WAS SUPPOSED TO KEEP ME 1326 00:42:32,800 --> 00:42:34,320 INFORMED. HE DIDN'T. 1327 00:42:34,320 --> 00:42:37,360 SIR... [SIGHS] 1328 00:42:37,360 --> 00:42:38,600 YOU HAVE EVERY RIGHT 1329 00:42:37,360 --> 00:42:38,600 TO BE ANGRY. 1330 00:42:38,600 --> 00:42:41,560 I AM DEEPLY SORRY 1331 00:42:38,600 --> 00:42:41,560 WE'VE OFFENDED YOU. 1332 00:42:41,560 --> 00:42:42,720 WE SHOULD'VE ASKED 1333 00:42:41,560 --> 00:42:42,720 YOUR PERMISSION 1334 00:42:42,720 --> 00:42:44,280 BEFORE WE ENTERED 1335 00:42:42,720 --> 00:42:44,280 YOUR JURISDICTION, 1336 00:42:44,280 --> 00:42:46,120 BUT IT WAS AN OVERSIGHT, 1337 00:42:46,120 --> 00:42:48,040 NOT AN INTENTIONAL SLIGHT. 1338 00:42:49,520 --> 00:42:51,400 WHAT SHOE? 1339 00:42:54,360 --> 00:42:56,880 IF YOU REMOVED EVIDENCE 1340 00:42:54,360 --> 00:42:56,880 FROM A CRIME SCENE, 1341 00:42:56,880 --> 00:42:59,040 I'LL HAVE YOU ALL BROUGHT UP 1342 00:42:56,880 --> 00:42:59,040 IN FRONT OF A JUDGE. 1343 00:42:59,040 --> 00:43:00,240 YOU WENT THROUGH US 1344 00:43:00,240 --> 00:43:01,920 LIKE WE WAS VIRGINS 1345 00:43:00,240 --> 00:43:01,920 ON OUR WEDDING NIGHT. 1346 00:43:01,920 --> 00:43:03,760 DIDJA FIND ANY EVIDENCE? 1347 00:43:03,760 --> 00:43:06,040 YOU THREW THEM IN THE CAGE? 1348 00:43:06,040 --> 00:43:07,480 THESE FOREIGNERS 1349 00:43:06,040 --> 00:43:07,480 WERE TRESPASSING. 1350 00:43:07,480 --> 00:43:08,600 THIS IS AN ORDER 1351 00:43:07,480 --> 00:43:08,600 FROM THE I.C.C., 1352 00:43:08,600 --> 00:43:10,640 DIRECTING MY TEAM 1353 00:43:08,600 --> 00:43:10,640 TO INVESTIGATE 1354 00:43:10,640 --> 00:43:12,880 A SERIES 1355 00:43:10,640 --> 00:43:12,880 OF MURDERS, OKAY? 1356 00:43:12,880 --> 00:43:14,520 SO, NOW, LAVEAUX, 1357 00:43:14,520 --> 00:43:16,400 YOU ARE INTERFERING 1358 00:43:14,520 --> 00:43:16,400 IN MY INVESTIGATION. 1359 00:43:16,400 --> 00:43:17,600 RIGHT? 1360 00:43:17,600 --> 00:43:20,080 CAN YOU OPEN, PLEASE? 1361 00:43:21,520 --> 00:43:23,400 HI, GUYS. 1362 00:43:23,400 --> 00:43:25,520 I BROUGHT 1363 00:43:23,400 --> 00:43:25,520 IDENTIFICATION AND GUNS. 1364 00:43:25,520 --> 00:43:27,560 [THUMP] 1365 00:43:27,560 --> 00:43:28,680 THERE YOU GO. 1366 00:43:28,680 --> 00:43:29,920 [PURRS] 1367 00:43:29,920 --> 00:43:31,040 WELCOME HOME, GIRLS. 1368 00:43:31,040 --> 00:43:32,560 SPEAKING OF CLICHES. 1369 00:43:32,560 --> 00:43:34,040 -COMMISSAIRE LAVEAUX? 1370 00:43:32,560 --> 00:43:34,040 -WHAT? 1371 00:43:34,040 --> 00:43:36,400 AN AMERICAN IS REPORTING 1372 00:43:34,040 --> 00:43:36,400 A MURDERED MAN IN A SHOE STORE 1373 00:43:36,400 --> 00:43:37,560 AND AN OFFICER MISSING. 1374 00:43:38,600 --> 00:43:40,040 -WHAT SHOE STORE? 1375 00:43:38,600 --> 00:43:40,040 -CHARLES GALLANT? 1376 00:43:40,040 --> 00:43:41,320 [GERMAN]: SCHEISSE. 1377 00:43:41,320 --> 00:43:44,080 [♪♪♪] 1378 00:43:46,880 --> 00:43:48,760 ARE YOU OKAY? 1379 00:43:48,760 --> 00:43:51,360 YOU SHOULDN'T HAVE 1380 00:43:48,760 --> 00:43:51,360 BROUGHT ME HERE. 1381 00:43:51,360 --> 00:43:53,680 I WASN'T... [VOICE CATCHES] 1382 00:43:53,680 --> 00:43:56,760 I'M NOT... 1383 00:43:53,680 --> 00:43:56,760 I'M NOT READY. 1384 00:43:56,760 --> 00:43:58,040 I'M NOT RIGHT. 1385 00:43:58,040 --> 00:44:00,320 WHAT DO YOU MEAN, 1386 00:43:58,040 --> 00:44:00,320 "NOT RIGHT"? 1387 00:44:00,320 --> 00:44:02,280 THE DRUGS, MY HEAD-- I'M NOT-- 1388 00:44:02,280 --> 00:44:04,840 I'M NOT THINKING CLEARLY, 1389 00:44:02,280 --> 00:44:04,840 ANYMORE! 1390 00:44:04,840 --> 00:44:06,600 THERE'S NOTHING WRONG 1391 00:44:04,840 --> 00:44:06,600 WITH YOUR HEAD. 1392 00:44:06,600 --> 00:44:07,800 CARL, 1393 00:44:06,600 --> 00:44:07,800 LISTEN TO ME. 1394 00:44:07,800 --> 00:44:09,080 I WAS WATCHING YOU, 1395 00:44:09,080 --> 00:44:10,480 WHEN YOU READ THAT MAN 1396 00:44:09,080 --> 00:44:10,480 AT THE CARNIVAL. 1397 00:44:10,480 --> 00:44:12,640 YOU EVEN KNEW ABOUT 1398 00:44:10,480 --> 00:44:12,640 THE MISTRESS AND THE BABY! 1399 00:44:12,640 --> 00:44:14,560 I SAW HIM! OKAY? 1400 00:44:14,560 --> 00:44:16,200 I SAW HIM. 1401 00:44:14,560 --> 00:44:16,200 THE DAY BEFORE. 1402 00:44:16,200 --> 00:44:18,080 HE WAS AT THE CARNIVAL WITH 1403 00:44:16,200 --> 00:44:18,080 THE GIRL, WITH THE GIRLFRIEND. 1404 00:44:18,080 --> 00:44:19,680 AND THE BABY! 1405 00:44:19,680 --> 00:44:21,080 THERE WAS NO READING INVOLVED, 1406 00:44:19,680 --> 00:44:21,080 THERE WAS NO-- 1407 00:44:21,080 --> 00:44:22,760 NO DEDUCTION OR NOTHIN'. 1408 00:44:22,760 --> 00:44:24,600 I JUST... I SAW HIM. 1409 00:44:25,640 --> 00:44:27,840 I SAW HIM. 1410 00:44:30,560 --> 00:44:33,400 [♪♪♪] 1411 00:44:40,280 --> 00:44:42,440 THIS IS NOT YOUR FAULT. 1412 00:44:49,320 --> 00:44:51,360 I LET HER COME IN ALONE. 1413 00:44:54,360 --> 00:44:56,600 I STAYED IN THE CAR 1414 00:44:54,360 --> 00:44:56,600 FOR A FEW MINUTES. 1415 00:44:56,600 --> 00:44:59,600 I HAD TO DO SOMETHING. 1416 00:45:01,360 --> 00:45:03,320 I LET HER COME IN ALONE. 1417 00:45:05,040 --> 00:45:06,800 WE HAVE ROADBLOCKS 1418 00:45:06,800 --> 00:45:09,440 ON EVERY MAJOR ROAD 1419 00:45:06,800 --> 00:45:09,440 LEAVING PARIS. 1420 00:45:11,400 --> 00:45:14,360 WE'LL FIND HER. 1421 00:45:17,040 --> 00:45:19,800 [♪♪♪] 1422 00:45:29,640 --> 00:45:32,040 [♪♪♪] 1423 00:45:49,640 --> 00:45:51,640 [♪♪♪] 1424 00:45:53,000 --> 00:45:55,560 [PATROLMAN]: DIPLOMATIC PLATES. 1425 00:45:53,000 --> 00:45:55,560 U.S. EMBASSY. 1426 00:45:55,560 --> 00:45:57,840 [♪♪♪] 1427 00:46:00,040 --> 00:46:02,840 -LET HIM THROUGH. 1428 00:46:00,040 --> 00:46:02,840 -OKAY, THIS WAY. THIS WAY. 1429 00:46:05,920 --> 00:46:09,040 [♪♪♪] 1430 00:46:16,000 --> 00:46:18,320 [♪♪♪]